Tara Rani's ' "Kahe Kiriya Dharaulu" was released on its scheduled release date, October 14, 1994. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in Dabbu Shukla's "Gaune Wali Ratiya" album is number 3 out of 7. On top of that, India appears to be the country where this track was created. Kahe Kiriya Dharaulu is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Kahe Kiriya Dharaulu by Tara Rani to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hal Ta Kehn Maqade Me Halon | Rajab Faqeer | E♭ Major | 7 | 5B | 158 BPM | ||
| Bule Aabe Re Bhnbra | Alka Chandrakar | F Major | 10 | 7B | 130 BPM | ||
| Chalo Aaj Khwaja Ka | Mohammed Aziz | F♯ Major | 9 | 2B | 174 BPM | ||
| Raychand Ji | Ray Chand, Champa Methi | D Minor | 9 | 7A | 110 BPM | ||
| Gowramma Gowramma | A. Ramadevi | A♭ Minor | 4 | 1A | 114 BPM | ||
| Saiya More Gawanwa Lihale Jala | Madan Rai | F♯ Major | 6 | 2B | 110 BPM | ||
| Kamariya Daaba A Balma | Tara Rani | D♭ Major | 6 | 3B | 84 BPM | ||
| Radha Dhoondh Rahi Kisi Ne Mera Shyam Dekha | Anuradha Paudwal | B Major | 8 | 1B | 120 BPM | ||
| Aavadte Belache Pan | Nagesh Morvekar | B Major | 7 | 1B | 115 BPM | ||
| Irham Lana | Hamza Akram Qawwal, Taimoor Akram, Abdul Akram | G Minor | 7 | 6A | 100 BPM | ||
| Mangal Ki Sewa (Aarti Kaali Mata Ki) | Lakhbir Singh Lakkha | B♭ Minor | 6 | 3A | 100 BPM | ||
| Bolbona Go Ar Kono Din - 17 | Baul Sukumar | B♭ Minor | 6 | 3A | 90 BPM | ||
| Bheemaicha Baal | Milind Shinde | G Minor | 4 | 6A | 117 BPM | ||
| Bin Bajiye Tomay Daki je | Md. Azij | F Major | 9 | 7B | 91 BPM | ||
| Appa Dowey | Hans Raj Hans | E Minor | 9 | 9A | 88 BPM | ||
| Khatiya Mat Tode Re - Hindi | Naresh Gurjar, Dinesh Gurjar | G Minor | 7 | 6A | 129 BPM | ||
| Manne Ho Gaya Tere Se Pyar | Tarun Baliyan | G Major | 9 | 9B | 80 BPM | ||
| Naino Mein Shyam Samaaye Gayo | Baba Rasika Pagal | A♭ Minor | 8 | 1A | 86 BPM | ||
| Dhanya Vah Ghar Hi Hai Ram Navami Special Bhajan | Chandra Bhushan Pathak | F♯ Major | 6 | 2B | 101 BPM | ||
| Baba Kya Baat Hai | Rafiq Sagar | B Major | 6 | 1B | 103 BPM | ||
| Java Naveen Popat Ha | Anand Shinde | C Major | 6 | 8B | 83 BPM | ||
| Mahua Panire Mahua | Santanu Sahoo | D♭ Minor | 8 | 12A | 174 BPM | ||
| Buri Hoilam Tor Karone | Momtaz | A Minor | 8 | 8A | 164 BPM | ||
| Pyar | Satwinder Bugga | A Major | 6 | 11B | 128 BPM | ||
| Dudhacha Math Futla Kasa | Suryakant Shide | E Major | 8 | 12B | 62 BPM |