"Verdi: Aida, Act 3: "O tu che sei d'Osiride" (Chorus)" by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra had its release date on 1974. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Verdi: Aida, Act 3: "O tu che sei d'Osiride" (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Aida by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #1 out of 55 tracks. Based on our statistics, Verdi: Aida, Act 3: "O tu che sei d'Osiride" (Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aida, Act 3: "O tu che sei d'Osiride" (Chorus) by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Verdi: Aida, Act 3: "O tu che sei d'Osiride" (Chorus) being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Otello, Act II: Dove guardi splendono… Non parlo ancor di prova | Giuseppe Verdi, Sebastian Catana, Raffaella Angeletti, Robert Dean Smith, Orfeon Donostiarra, Los Peques del León de Oro, Oviedo Filarmonía, Friedrich Haider | G Minor | 1 | 6A | 103 BPM | ||
| Rusalka, Op. 114 / Act 2: Cely svet neda ti, neda | Antonín Dvořák, Franz Hawlata, Czech Philharmonic, Sir Charles Mackerras | F Major | 2 | 7B | 158 BPM | ||
| Il Trovatore / Act 2: "Il balen del suo sorriso...Qual suono! o ciel!" | Giuseppe Verdi, Ingvar Wixell, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 94 BPM | ||
| Giordano: Andrea Chénier, Act I: "O pastorelle, addio!" | Umberto Giordano, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | A Major | 0 | 11B | 137 BPM | ||
| Bizet: Carmen, WD 31, Act 2: "Nous avons en tête une affaire" (Le Dancaïre, Frasquita, Mercédès, Le Remendado, Carmen) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Nicolas Rivenq, Yann Beuron, Orchestre National Du Capitole De Toulouse | D♭ Major | 2 | 3B | 77 BPM | ||
| La traviata, Act II: Alfredo, Alfredo, di questo core | Giuseppe Verdi, Ileana Cotrubas, Stefania Malagu, Sherrill Milnes, Plácido Domingo, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Carlos Kleiber, Bavarian State Orchestra | E♭ Major | 2 | 5B | 78 BPM | ||
| Rigoletto, Act I: Questa o quella – Partite? Crudele – Ah, più di Ceprano | Giuseppe Verdi, Plácido Domingo, Olive Fredricks, Luigi De Corato, Dirk Sagemüller, Piero Cappuccilli, Walter Gullino, Wiener Philharmoniker, Carlo Maria Giulini, Wiener Staatsopernchor | A♭ Major | 1 | 4B | 81 BPM | ||
| Massenet: Werther, Act 3: "Traduire ! Ah ! Bien souvent mon rêve s'envole" - "Pourquoi me réveiller" (Werther) | Jules Massenet, Roberto Alagna, London Symphony Orchestra, Antonio Pappano | G Minor | 1 | 6A | 111 BPM | ||
| Wagner: Tannhäuser, Act 1: "Geliebter! Komm, sieh dort die Grotte" (Venus, Sirenen) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Waltraud Meier | F Major | 1 | 7B | 82 BPM | ||
| Carmen, Act IV: Si tu m'aimes, Carmen | Georges Bizet, Sherrill Milnes, Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 98 BPM | ||
| Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| Verdi: Messa da Requiem: VII. Quid sum miser | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Daniela Barcellona, Roberto Alagna, Berliner Philharmoniker | E♭ Major | 1 | 5B | 83 BPM | ||
| Rossini: Guillaume Tell, Act 1 Scene 2: "Près des torrents qui grondent" (Melchthal, Guillaume, Jemmy, Hedwige, Arnold, Ruodi, Chorus) | Gioachino Rossini, Marie-Nicole Lemieux, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 7 | 9B | 78 BPM | ||
| La traviata / Act 3: "Largo a quadrupede" | Giuseppe Verdi, Metropolitan Opera Chorus, John Keenan, Metropolitan Opera Orchestra, James Levine | D Major | 2 | 10B | 114 BPM | ||
| Wagner: Lohengrin, Act 1: "Einsam in trüben Tagen" (Elsa) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow | A♭ Major | 1 | 4B | 81 BPM | ||
| Rigoletto, Act I: Riedo! Perché? | Giuseppe Verdi, Sherrill Milnes, Ricardo Cassinelli, John Gibbs, Christian Du Plessis, London Symphony Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 137 BPM | ||
| Aida / Act 2: Chi mai fra gl'inni e i plausi | Giuseppe Verdi, Elena Obraztsova, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM | ||
| Strauss, R: 6 Lieder, Op. 56: No. 6, Die heiligen drei Könige (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 1 | 8B | 175 BPM | ||
| Bizet: Carmen: Qui sait de quel demon j'allais etre la proie! - Act One | Georges Bizet, Plácido Domingo, Kiri Te Kanawa, Sir Georg Solti | G Major | 2 | 9B | 77 BPM | ||
| Simon Boccanegra, Prologue: Che dicesti? | Giuseppe Verdi, José van Dam, Giovanni Foiani, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 1 | 4B | 81 BPM | ||
| Norma (1997 Digital Remaster), ACT 2, Scene 3: Guerra, guerra! La galliche selve (Coro) | Vincenzo Bellini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | A Major | 3 | 11B | 136 BPM | ||
| Bellini: Norma, Act 1: "Meco all'altar di Venere" (Pollione) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Franco Corelli | G Major | 3 | 9B | 98 BPM | ||
| Il Barbiere di Siviglia: Ehi, Fiorello? | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | F Major | 4 | 7B | 140 BPM | ||
| Bizet: Carmen, WD 31, Act 3: "Quant au douanier" (Carmen, Frasquita, Mercédès, Le Dancaïre, Le Remendado, Chœur) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Elizabeth Vidal, Isabelle Cals, Les Éléments, Nicolas Rivenq, Yann Beuron, Orchestre National Du Capitole De Toulouse | F♯ Major | 2 | 2B | 123 BPM |