- BPM
- 132
- Key
- C Major
- Camelot
- 8B
Verdi: Aida, Act 3: "O tu che sei d'Osiride" (Chorus) by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra Song Details
"Verdi: Aida, Act 3: "O tu che sei d'Osiride" (Chorus)" by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra had its release date on 1974. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Verdi: Aida, Act 3: "O tu che sei d'Osiride" (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Aida by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #1 out of 55 tracks. Based on our statistics, Verdi: Aida, Act 3: "O tu che sei d'Osiride" (Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Verdi: Aida, Act 3: "O tu che sei d'Osiride" (Chorus) by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Verdi: Aida, Act 3: "O tu che sei d'Osiride" (Chorus) being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 16%
- Loudness
- -44.532 dB
- Acousticness
- 80%
- Danceability
- 16%
- Energy
- 1%
- Instrumentalness
- 0%
- Liveness
- 7%
- Loudness
- 26%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem, Op. 89, B. 165: Tuba mirum | Antonín Dvořák, Czech Philharmonic Orchestra | F♯ Major | 1 | 2B | 88 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 2) Introduction and Scene. "Nu, zaboltalas ya!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | D♭ Minor | 1 | 12A | 76 BPM | |
 | Rossini: Guillaume Tell, Act 1 Scene 2: "Près des torrents qui grondent" (Melchthal, Guillaume, Jemmy, Hedwige, Arnold, Ruodi, Chorus) | Gioachino Rossini, Marie-Nicole Lemieux, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 7 | 9B | 78 BPM | |
 | Carmen, WD 31, Act I: Dans l'air nous suivons des yeux la fumee | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | E Major | 1 | 12B | 78 BPM | |
 | I Puritani / Act 1: All'erta! All'erta! L'alba appari | Vincenzo Bellini, Renato Cazzaniga, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D Major | 2 | 10B | 119 BPM | |
| Eugene Onegin, Op. 24, TH. 5 / Act I: "Slikhali l vi za roschei glas nochnoi" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Ruthild Engert-Ely, Rosemarie Lang, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | |
 | Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 87 BPM | |
 | Nabucco / Act IV: Dio di Giuda! | Giuseppe Verdi, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Major | 1 | 8B | 68 BPM | |
 | Rusalka, Op. 114 / Act 1: Sem casto prichazi a v objeti mé stoupá | Antonín Dvořák, Renée Fleming, Franz Hawlata, Czech Philharmonic, Sir Charles Mackerras | F Major | 2 | 7B | 176 BPM | |
 | Rigoletto / Act 3: È amabile invero cotal giovinotto | Giuseppe Verdi, Ileana Cotrubas, Elena Obraztsova, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | A Major | 2 | 11B | 96 BPM | |
| Rusalka, Op. 114 / Act 3: Milácku, znás mne, znás? | Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | |
 | Peter Grimes, Op.33 / Act 1: "Look, the Storm Cone!" | Benjamin Britten, James Pease, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 4 | 6B | 91 BPM | |
 | Romeo and Juliette, Act II: L'amour! l'amour | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | B♭ Major | 1 | 6B | 84 BPM | |
 | Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Orchestre de Paris, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus | E♭ Major | 0 | 5B | 70 BPM | |
 | Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | |
| I Puritani / Act 1: Dov'è Arturo? | Vincenzo Bellini, Dame Joan Sutherland, Piero Cappuccilli, Nicolai Ghiaurov, Gian Carlo Luccardi, Renato Cazzaniga, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | F Major | 2 | 7B | 88 BPM | |
 | Carmen / Act 1: "La cloche a sonné" | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | G Major | 1 | 9B | 98 BPM | |
 | Rossini: Il barbiere di Siviglia, Act 2: Finale. "Che cosa accadde, signori miei" (Figaro, Bartolo, Conte, Rosina, Berta, Basilio, Coro) | Gioachino Rossini, James Levine, Beverly Sills, Fedora Barbieri, John Alldis Choir, Nicolai Gedda, Renato Capecchi, Ruggero Raimondi, Sherrill Milnes, London Symphony Orchestra | F Major | 3 | 7B | 125 BPM | |
 | I puritani, Act I: Ad Arturo onore | Vincenzo Bellini, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | A Major | 3 | 11B | 78 BPM | |
 | Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | |
 | La traviata / Act 2: "Alfredo?" "Per Parigi or or partiva" | Giuseppe Verdi, Anna Netrebko, Diane Pilcher, Dritan Luca, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | F Minor | 0 | 4A | 83 BPM | |
 | Strauss, R: 6 Lieder, Op. 56: No. 6, Die heiligen drei Könige (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 1 | 8B | 175 BPM | |
 | Parsifal, Act II: Parsifal! Weile! | Richard Wagner, Barbara Hendricks, Janet Perry, Inga Nielsen, Dunja Vejzovic, Doris Soffel, Audrey Michael, Rohangiz Yachmi, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | D Major | 0 | 10B | 75 BPM | |
 | Rossini: Stabat Mater: VII. Fac, ut portem Christi mortem | Gioachino Rossini, Riccardo Muti, Agnes Baltsa, Orchestra del Maggio Musicale Fiorentino | E Major | 1 | 12B | 79 BPM | |
 | Wagner: Lohengrin, Act 2: "Welch ein Geheimnis muss der Held bewahren?" (Henry, Elsa, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Emily Magee, René Pape, Staatskapelle Berlin | F Major | 3 | 7B | 78 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records