"Khamsin" by Emmanuel Séjourné, Quey Percussion Duo had its release date on November 15, 2019. This song is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. There are a total of 10 in the song's album "SoniChroma". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Khamsin is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Khamsin by Emmanuel Séjourné, Quey Percussion Duo having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Copland: Symphony No. 3: II. Allegro molto | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 1 | 11A | 68 BPM | ||
| 10 Duos, Op. 53: No. 3, Con moto | Reinhold Glière, Martin Rummel, Alexander Hülshoff | A Major | 1 | 11B | 92 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | F Minor | 0 | 4A | 70 BPM | ||
| I. Prelude. Allegro moderato | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | B♭ Minor | 1 | 3A | 115 BPM | ||
| Saint-Saëns: Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Sabine Meyer, Oleg Maisenberg | E♭ Major | 0 | 5B | 126 BPM | ||
| Sinfonietta, FP 141: I. Allegro con fuoco | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 0 | 9B | 111 BPM | ||
| Road Movies: III. 40% Swing | John Adams | E Minor | 3 | 9A | 135 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | B♭ Minor | 0 | 3A | 136 BPM | ||
| Horn Trio in E-Flat Major, Op. 40: III. Adagio mesto | Johannes Brahms, Isabelle Faust, Alexander Melnikov, Teunis van der Zwart | E♭ Minor | 0 | 2A | 68 BPM | ||
| Samantha Sketches: II. Skyward | Mark Abel, Alice K. Dade, Ieva Jokubaviciute | B♭ Minor | 0 | 3A | 136 BPM | ||
| Concerto for Violin & Piano, Op. 105: III. Allegretto | Nikolai Kapustin, Frank Dupree, Rosanne Philippens, Württemberg Chamber Orchestra, Case Scaglione | G Major | 4 | 9B | 90 BPM | ||
| Khamsin | Emmanuel Séjourné, Quey Percussion Duo | D♭ Major | 3 | 3B | 116 BPM | ||
| You Come Here Often? | Michael Tilson Thomas, Yuja Wang | F Major | 3 | 7B | 104 BPM | ||
| Sensemayá | Silvestre Revueltas, N/A, Banda de Lalín, Bram Sniekers | B♭ Major | 1 | 6B | 90 BPM | ||
| Respighi: Trittico botticelliano, P. 151: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | ||
| Black | Marc Mellits, Julian Bliss | A♭ Major | 4 | 4B | 117 BPM | ||
| Concerto for Marimba and Strings: 2. rythmique, energique | Emmanuel Séjourné, Noriko Tsukagoshi, 岩村力, 塚越慎子アンサンブル | C Minor | 1 | 5A | 122 BPM | ||
| Brighten Up | Veridia | A♭ Minor | 6 | 1A | 137 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| Clarinet Sonata, Fp 184: Romanza. Tres calme | Francis Poulenc, Ronald Van Spaendonck, Alexandre Tharaud | G Minor | 0 | 6A | 103 BPM | ||
| Tumbao | Tania León, Isabel Dobarro | G Major | 2 | 9B | 128 BPM | ||
| Frontiers: II. Second Movement | Oliver Davis, Kerenza Peacock, Paul Bateman | E Major | 2 | 12B | 37 BPM | ||
| Concerto No. 1 for Marimba and Strings: III. Rhythmique, Energique | Emmanuel Séjourné, Logan Fox, Lidiya Yankovskaya | C Major | 1 | 8B | 115 BPM | ||
| Herr Jesu Christ, meins Lebens Licht, BWV 335 | Johann Sebastian Bach, Martin Fröst, Jonas Nordberg | E Major | 1 | 12B | 130 BPM |