Joey Roukens, Fuse's 'Unleashed' had a release date set for November 27, 2020. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Studio 3". In this album, this song's track order is #2. In terms of popularity, Unleashed is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Unleashed by Joey Roukens, Fuse having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lieder ohne Worte II, Op. 30: VI. Venetian Gondola Song. Allegretto, MWV U110 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | D Major | 1 | 10B | 78 BPM | ||
| Roberta: Yesterdays (Arr. for Violin and Piano) | Jerome Kern, Janine Jansen, Antonio Pappano | B Major | 1 | 1B | 96 BPM | ||
| String Sextet No. 1, Op. 18: III. Scherzo. Allegro molto | Johannes Brahms, Belcea Quartet, Tabea Zimmermann, Jean-Guihen Queyras | F Major | 2 | 7B | 137 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 0 | 5A | 175 BPM | ||
| Sonata for Cello and Piano: II. Allegretto | Henriëtte Bosmans, Mayke Rademakers, Matthijs Verschoor | G Major | 1 | 9B | 105 BPM | ||
| Svanevit Suite, Op. 54: III. Tärnorna med rosor | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | C Major | 1 | 8B | 85 BPM | ||
| Strauss, R. / Arr. Lenaerts: Der Rosenkavalier | Richard Strauss, Anneleen Lenaerts | E Major | 1 | 12B | 129 BPM | ||
| Fiori Musicali: Vientuļā kalla | Georgs Pelēcis, Kremerata Baltica | D♭ Major | 3 | 3B | 94 BPM | ||
| Moments musicaux, D. 780: No. 3 in F Minor (Arr. Godowsky) | Franz Schubert, Rian De Waal | F♯ Minor | 0 | 11A | 178 BPM | ||
| Mahler: Symphony No. 1 in D Major, "Titan": III. Feierlich und gemessen, ohne zu schleppen (Live) | Gustav Mahler, Royal Concertgebouw Orchestra, Mariss Jansons | G Major | 0 | 9B | 80 BPM | ||
| September IV | Sarah Neutkens, Nederlands Saxofoon Octet | E♭ Major | 1 | 5B | 176 BPM | ||
| Short Ride in a Fast Machine | John Adams, Orchestre Symphonique de Montréal, Kent Nagano | D Major | 5 | 10B | 152 BPM | ||
| Sonata in D Minor, K. 1 | Domenico Scarlatti, Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F Minor | 0 | 4A | 100 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | E Major | 0 | 12B | 74 BPM | ||
| Contact: II. Codes. Scherzo | Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang | D Minor | 5 | 7A | 177 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: III. Andante | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 64 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | ||
| Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": III. Scherzo (Molto vivace) | Antonín Dvořák, Wiener Philharmoniker, Kirill Kondrashin | C Major | 1 | 8B | 127 BPM | ||
| Violin Concerto No. 1: II. Crotchet = c. 108 | Philip Glass, Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | C Minor | 0 | 5A | 86 BPM | ||
| Suite for 2 Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Lucas Jussen, Arthur Jussen | A♭ Major | 0 | 4B | 88 BPM | ||
| Les tendres plaintes—Rondeau, RCT 3/1 - Recording 2021 | Jean-Philippe Rameau, Bruce Liu | D♭ Major | 2 | 3B | 77 BPM | ||
| Fratres | Arvo Pärt, Morphing Chamber Orchestra | A Minor | 1 | 8A | 86 BPM | ||
| Duo Concertant, K054: V. Dithyrambe | Igor Stravinsky, Tamsin Waley-Cohen, Huw Watkins | E Major | 0 | 12B | 74 BPM |