The Whitlams's 'The Lights Are Back On' had a release date set for February 1, 2002. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Torch The Moon". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Australia. In terms of popularity, The Lights Are Back On is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With The Lights Are Back On by The Whitlams having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The One | Clare Bowditch | G Major | 5 | 9B | 75 BPM | ||
| Autumn Flow | Lior | B♭ Major | 4 | 6B | 119 BPM | ||
| Military Strongmen | Jebediah | D♭ Major | 9 | 3B | 137 BPM | ||
| Building Ships | Lior | F♯ Major | 3 | 2B | 81 BPM | ||
| Skinny Jean | Powderfinger | E Minor | 5 | 9A | 107 BPM | ||
| End Of Your World | The Whitlams | E Minor | 7 | 9A | 175 BPM | ||
| Come To Nothing | Evermore | E♭ Minor | 5 | 2A | 88 BPM | ||
| Truth | George | C Major | 5 | 8B | 83 BPM | ||
| Shut My Eyes | The Superjesus | G Major | 8 | 9B | 89 BPM | ||
| Home | Skunkhour | F Major | 9 | 7B | 129 BPM | ||
| London Still | The Waifs | A♭ Minor | 3 | 1A | 110 BPM | ||
| Divorcee by 23 | Clare Bowditch, the Feeding Set | C Major | 5 | 8B | 165 BPM | ||
| Away, Away | Weddings Parties Anything | E Major | 9 | 12B | 148 BPM | ||
| Something Borrowed, Something Blue | Ben Lee | F Major | 8 | 7B | 108 BPM | ||
| Class Celebrities | Killing Heidi | A Major | 10 | 11B | 186 BPM | ||
| Always Worth It | Sarah Blasko | D♭ Minor | 7 | 12A | 135 BPM | ||
| Ride The Wave | Motor Ace | D♭ Major | 10 | 3B | 123 BPM | ||
| Stuck in a War | Lior | C Major | 6 | 8B | 111 BPM | ||
| Emperor's Box (feat. Clare Bowditch) | Katie Noonan & Karin Schaupp, Clare Bowditch | G Major | 2 | 9B | 173 BPM | ||
| Forever And A Day | The Dissociatives | A♭ Minor | 6 | 1A | 115 BPM | ||
| Always On This Line | Sarah Blasko | F Minor | 6 | 4A | 122 BPM | ||
| Asleep In Perfection | Augie March | B Minor | 5 | 10A | 67 BPM | ||
| Milk | The Superjesus | E Major | 6 | 12B | 121 BPM | ||
| Afloat | Evermore | E♭ Minor | 6 | 2A | 158 BPM | ||
| Young Man, Old Man (you ain't better than the rest) | The Dissociatives | B Major | 8 | 1B | 73 BPM |