"Menuet" by Antoine Forqueray, Myriam Rignol, Pau Marcos Vicens, Gabriel Rignol had its release date on June 21, 2024. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 11 out of 45 in Forqueray: Intégrale des pièces de violes by Antoine Forqueray, Myriam Rignol. In terms of popularity, Menuet is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Menuet by Antoine Forqueray, Myriam Rignol, Pau Marcos Vicens, Gabriel Rignol is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miserere in C Minor (Version for Mixed Choir): IV. Libera me de sanguinibus Deus | Johann Adolf Hasse, Accademia Barocca Lucernensis, Alberto Miguélez Rouco, Javier Ulises Illán | D Minor | 1 | 7A | 77 BPM | ||
| Couperin, L: Chaconne, G. 55 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Major | 1 | 8B | 101 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Violin Sonata No. 3 in F Major, C. 140: II. Aria - Variatio | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | B Major | 0 | 1B | 56 BPM | ||
| Violin Sonata in B-flat Major, Op. 5 No. 2: I. Grave | Arcangelo Corelli, Enrico Onofri | A♭ Major | 0 | 4B | 32 BPM | ||
| D'Anglebert: Suite No. 3 en ré mineur: I. Prélude | Jean-Henri d'Anglebert, Jean Rondeau | D♭ Major | 1 | 3B | 83 BPM | ||
| Sinfonia viggesima terza a due viole: I. Grave - Allegro - Corrente | Rocco Greco, I Mastricelli | E Major | 3 | 12B | 105 BPM | ||
| Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
| Concerto In A Major, Op.12, No.1: 1. Largo | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 1 | 1A | 101 BPM | ||
| Canzonie, fantasie et correnti: No. 22, Canzon No. 12 | Bartolomé de Selma y Selaverde, Ecco la musica | E Major | 0 | 12B | 87 BPM | ||
| The Little Consort, Suite No. 10 in D Minor and D Major: I. Pavan | Matthew Locke, Phantasm, Elizabeth Kenny | E Major | 0 | 12B | 87 BPM | ||
| Byrd: Miserere a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 90 BPM | ||
| VI. Presto | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | ||
| Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | F♯ Major | 1 | 2B | 105 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: III. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | D♭ Major | 3 | 3B | 120 BPM | ||
| "Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
| Pièces de viole, Suite No. 4 in G Minor: VI. Le Carillon de Passy | Antoine Forqueray, Paolo Pandolfo, Guido Balestracci, Rolf Lislevand, Eduardo Egüez, Guido Morini | B Minor | 0 | 10A | 79 BPM | ||
| Il primo libro de madrigali a due, tre, quattro, e cinque voci, Op. 1: No. 9, Godere, e tacere - Instrumental Version | Barbara Strozzi, Accademia dell'Annunciata, Riccardo Doni | E Major | 3 | 12B | 105 BPM | ||
| Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
| Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340: II. Affetuoso | Christoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses | E Major | 0 | 12B | 64 BPM | ||
| Sonate pour le violon et le clavecin in D Minor: II. Presto | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | D♭ Major | 0 | 3B | 138 BPM | ||
| La Sylva (très tendrement) | Antoine Forqueray, Jean-Baptiste Forqueray, Justyna Woś | E Major | 3 | 12B | 105 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti: No. 1 in F Minor: III. Largo | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E Minor | 1 | 9A | 84 BPM | ||
| Suite in A Minor: III. Sarabande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | B♭ Minor | 1 | 3A | 85 BPM | ||
| The Gordion Knot Unty'd, Z. 597: Second Act Tune: Rondo Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | C Minor | 5 | 5A | 153 BPM |