Prabhanjan Marathe's ' "Too Talam" was released on its scheduled release date, December 31, 1995. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anand Modak's "Mukta (Original Motion Picture Soundtrack)" album is number 6 out of 10. On top of that, India appears to be the country where this track was created. Too Talam is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Too Talam by Prabhanjan Marathe to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lambodhara Lakumikara | H.K. Narayana | C Major | 2 | 8B | 117 BPM | ||
| Bhagavad Gita Adhyay, Pt. 4 | Shrirang Bhave | E♭ Major | 1 | 5B | 78 BPM | ||
| Jalaram Bavni | Rohini Patel | C Minor | 4 | 5A | 118 BPM | ||
| Nadi Nadi Girigoguva | Rajashekhar, Krishnegowda, Vijay Ygnanarayana | F Major | 5 | 7B | 123 BPM | ||
| Gayatri Mantra - 11 Times | Sumeet Tappoo | C Major | 4 | 8B | 89 BPM | ||
| Vitthalachi Aarti | Prabhanjan Marathe, Bhanudas Deshpande, Shrutkirti Marathe, Pranita Deshpande | E♭ Minor | 4 | 2A | 98 BPM | ||
| Lakshmi Narasimha Ashtakam | Shankara Sastry | A Major | 3 | 11B | 169 BPM | ||
| Aarati Dnyanraja | Prabhanjan Marathe, Bhanudas Deshpande, Shrutkirti Marathe, Pranita Deshpande | E♭ Major | 3 | 5B | 98 BPM | ||
| Shri Swami Samarth Suprabhatam | Sujata Dutt, Sunita Prakash, Prsenjeet, Padmakar Kurkute, Arjun Ingle | F Major | 5 | 7B | 190 BPM | ||
| Shripad Vallabh Digambara - FAST - Datta Stuti | Mandar Apte, Datta Thite | B♭ Major | 7 | 6B | 91 BPM | ||
| Dattatreya Aarti - Studio | Dr. Balaji Tambe, Saam Gurukul Singer | F Major | 5 | 7B | 97 BPM | ||
| Hore Krishno | Roompa Roy, Pradyot Dey Sarkar | D♭ Major | 4 | 3B | 170 BPM | ||
| Ade Dwaraka | Jagadiswari Murthy, Pavan, Sireesha Bhagavatula | F Major | 6 | 7B | 81 BPM | ||
| Swami Samarth Stuti | Kedar Phadke, Aboli Girhe, Deepali Desai | F♯ Major | 5 | 2B | 96 BPM | ||
| Shivaya Namah Shiva Lingaya Namah Om | Rishi Nityapragya | C Major | 4 | 8B | 89 BPM | ||
| Shivashtak | Anjul Sharma | C Major | 5 | 8B | 83 BPM | ||
| Shree Siddha Mangal Stotra | Kamalakar Tapasvi | D♭ Major | 6 | 3B | 80 BPM | ||
| Radhe Radhe Mann Bole | Vikram Hazra | C Minor | 4 | 5A | 101 BPM | ||
| Kaapurachi Vaat | Ajeet Kumar Kadkade | D♭ Major | 1 | 3B | 154 BPM | ||
| Ganapathi Ashtothara Sathanamavali | Bombay Sisters | D Major | 4 | 10B | 138 BPM | ||
| Mahavir Prabhu Aarti | Rushabh Agarkar, Mangesh Borgaonkar | A Minor | 6 | 8A | 72 BPM | ||
| Sidhdhi Vinayak Ki Aarti | Roli Prakash | C Major | 5 | 8B | 80 BPM | ||
| Vedic Shanti Path (Om Dyo Shanti Antariksh Shanti) | Jatin | D♭ Major | 1 | 3B | 135 BPM | ||
| Mann He Dhaale - Studio | Vasant Ajgaonkar | F♯ Minor | 7 | 11A | 126 BPM | ||
| Karpur Gauram M | Ravindra Bijur | F Major | 1 | 7B | 105 BPM |