"Where Is the Life That Late I Led?" by Thomas Allen had its release date on June 18, 1996. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Original Studio Cast's "Kiss Me, Kate!: Complete Recording" album is number 3 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Where Is the Life That Late I Led? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Where Is the Life That Late I Led? by Thomas Allen to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carmen / Act 3: Si tu m'aimes, Carmen... | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Minor | 1 | 3A | 85 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 5: No. 4, Lied, "Hier im ird'schen Jammertal" (Kaspar, Max) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E Minor | 0 | 9A | 89 BPM | ||
| Le nozze di Figaro, K. 492 / Act 2: "Venite! Inginocchiatevi...Quante buffonerie!" | Wolfgang Amadeus Mozart, Lucia Popp, Kiri Te Kanawa, Frederica von Stade, Thomas Allen, London Philharmonic Orchestra, Sir Georg Solti | G Major | 0 | 9B | 91 BPM | ||
| Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni | Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester | B Minor | 0 | 10A | 70 BPM | ||
| Werther / Act 1: "Sophie!" | Jules Massenet, Thomas Allen, Isobel Buchanan, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | G Minor | 1 | 6A | 79 BPM | ||
| Cherubini: Medea, Act 1: "O bella Glauce" (Chorus, Glauce) | Luigi Cherubini, Coro del Teatro alla Scala di Milano, Renata Scotto, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | D Major | 2 | 10B | 116 BPM | ||
| Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 87 BPM | ||
| Gounod: Faust, CG 4, Act 4 Scene 8: No. 26, Mort de Valentin, (b) "Écoute-moi bien, Marguerite" (Valentin, Siebel, Marguerite, Choeur) | Charles Gounod, Thomas Allen, Georges Prêtre, Orchestre de l'Opéra National de Paris | D Major | 1 | 10B | 98 BPM | ||
| Rigoletto / Act 3: Della vendetta alfin giunge l'istante | Giuseppe Verdi, Plácido Domingo, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 0 | 1B | 80 BPM | ||
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Agnus Dei qui tollis | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 68 BPM | ||
| Simon Boccanegra, Prologue: Che dicesti? | Giuseppe Verdi, José van Dam, Giovanni Foiani, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D♭ Major | 0 | 3B | 85 BPM | ||
| Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" - Highlights Version | Gioachino Rossini, Thomas Allen, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 86 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 1) Entr'acte and Waltz With Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 1: "What have I to do with thee" | Felix Mendelssohn, Renée Fleming, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | B Minor | 2 | 10A | 129 BPM | ||
| H.M.S. Pinafore, Act II: Finale. O Joy, Oh Rapture Unforeseen! | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Welsh National Opera Chorus, Richard Stuart, Thomas Allen, Michael Schade, Rebecca Evans, Felicity Palmer, Donald Adams, Richard van Allan, Valerie Seymour, John King, Philip Lloyd Evans | F Major | 2 | 7B | 176 BPM | ||
| Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
| Suor Angelica: Sorelle in umiltà, mancaste alla quindena | Giacomo Puccini, Elizabeth Connell, Helen Walker, Doreen Walker, Enid Hartle, Marie McLaughlin, Isobel Buchanan, Miriam Bowen, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 1 | 10B | 170 BPM | ||
| Don Giovanni, K. 527: Act I: Ah...soccorso (No. 1, Introduzione: Il Commendatore, Don Giovanni, Leporello) | Wolfgang Amadeus Mozart, Teodor Currentzis, musicAeterna, Dimitris Tiliakos, Vito Priante, Mika Kares | F Minor | 0 | 4A | 81 BPM | ||
| H.M.S. Pinafore, Act II: Duet. Things Are Seldom What They Seem | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Thomas Allen, Felicity Palmer | C Major | 1 | 8B | 100 BPM | ||
| Gianni Schicchi: "Povero Buoso!" | Giacomo Puccini, Ewa Podles, Enrico Fissore, Roberto Alagna, Nicoletta Curiel, Orazio Mori, Giorgio Giorgetti, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | B♭ Minor | 1 | 3A | 66 BPM | ||
| La Sonnambula / Act 1: D'un pensiero e d'un accento | Vincenzo Bellini, Dame Joan Sutherland, Sylvia Stahlman, Margreta Elkins, Nicola Monti, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
| Verdi: Messa da Requiem: VII. Quid sum miser | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Daniela Barcellona, Roberto Alagna, Berliner Philharmoniker | E♭ Major | 1 | 5B | 83 BPM | ||
| La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
| Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 1 | 2A | 83 BPM |