"Emma & Dexter" by Rachel Portman had its release date on January 1, 2011. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 20 in the song's album "One Day OST (Original Score)". In this album, this song's track order is #9. Emma & Dexter is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Emma & Dexter by Rachel Portman having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Humility and Love | Christopher Young | F Minor | 1 | 4A | 81 BPM | ||
| Guinevere | Rob Lane | G Major | 0 | 9B | 70 BPM | ||
| A Life Well Written | Christopher Willis | C Major | 3 | 8B | 91 BPM | ||
| Jessie and Norman | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
| Toys and Stars | Carter Burwell | F Major | 1 | 7B | 113 BPM | ||
| Maria - Theme | Guy Farley | F Major | 3 | 7B | 80 BPM | ||
| Memory Lane | Max Richter | B Major | 1 | 1B | 114 BPM | ||
| Suite - From "Rich And Famous") | Georges Delerue | A Major | 2 | 11B | 81 BPM | ||
| Home, I Should Think | Carter Burwell | B♭ Major | 2 | 6B | 98 BPM | ||
| Geppetto Creates | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 108 BPM | ||
| End Credits (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 141 BPM | ||
| This Is Neverland - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 88 BPM | ||
| Main Title | William Ross | A Major | 1 | 11B | 172 BPM | ||
| Extremely Loud and Incredibly Close | Alexandre Desplat, Jean-Yves Thibaudet | A Minor | 0 | 8A | 79 BPM | ||
| Unseen Tides | Rachel Portman | E Minor | 1 | 9A | 93 BPM | ||
| Lord M | Martin Phipps | E♭ Minor | 1 | 2A | 70 BPM | ||
| Tristan & Yvaine | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 2 | 9B | 69 BPM | ||
| Kurt & Elisabeth | Max Richter | C Major | 0 | 8B | 92 BPM | ||
| The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM | ||
| Bridget | Rachel Portman | E Minor | 0 | 9A | 133 BPM | ||
| The Language of Our Future | Martin Phipps | F Major | 0 | 7B | 85 BPM | ||
| You Would Be My Wife | Rachel Portman | G Major | 1 | 9B | 84 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM |