Aruna's 'Yemayya Rama - Paruna' had a release date set for January 1, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 8 in Deiva Sthuthi Telugu Devotional Songs by Ghantasala, Aruna, Muthuswami Dikshitar, Bhakta Ramadasu. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Yemayya Rama - Paruna is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Yemayya Rama - Paruna by Aruna is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vishnu Sahodari | Ramana,Vijayalakshmi Sharma | C Major | 6 | 8B | 122 BPM | ||
| Yetra Kalangal - Nithyasree Mahadevan | Nithyasree Mahadevan | E♭ Major | 6 | 5B | 137 BPM | ||
| Chakkani Thalliki Changu Bala | Bhukya Praveen kumar, Padmaja Sreenivasan, Annamacharya | C Major | 4 | 8B | 144 BPM | ||
| Kesava Narayana - Slokam | Ghantasala, V. Ramakrishna | E♭ Minor | 6 | 2A | 107 BPM | ||
| Aazhi Mazhi Kannah | Sulamangalam Sisters | C Major | 8 | 8B | 103 BPM | ||
| Sri Tulasi Magala Harathi | Kuntavenuka Bhavani | G Major | 6 | 9B | 142 BPM | ||
| Kantipaapavole | Gangaputra Narsing Rao | A♭ Major | 5 | 4B | 87 BPM | ||
| Okpari Kokapari | G Balakrishna Prasad | E Minor | 7 | 9A | 147 BPM | ||
| Metla Paata | Parupalli Sri Ranganath | A Minor | 7 | 8A | 82 BPM | ||
| Brama Kadigina Padamu | Nithya Santhoshini | A Major | 6 | 11B | 81 BPM | ||
| Narayanathe | Nithya Santhoshini | C Major | 6 | 8B | 170 BPM | ||
| Adhigo Gowthami | G. Anand, M. Sharada | C Major | 5 | 8B | 77 BPM | ||
| Madhuram Madhuram, Pt. 3 | N. Suryaprakash, Viijayalakshmi Sarma | G Major | 8 | 9B | 113 BPM | ||
| Vachindhi Rama Raiyam | Madhavapeddi Sathyam, B. Vasantha | D♭ Minor | 8 | 12A | 186 BPM | ||
| Jaya Mangalam Nitya Mangalam | Vedavathi Prabhakar | G Major | 4 | 9B | 145 BPM | ||
| Aathmiyuda | Thandri Sannidhi Ministries | F♯ Minor | 7 | 11A | 92 BPM | ||
| Namami Namami Gananadha | V. Ramakrishna, S. P. Sailaja | A♭ Major | 4 | 4B | 75 BPM | ||
| Sai Leelamritam | Shankar Mahadevan | F Major | 4 | 7B | 132 BPM | ||
| Sri Mahalakshmi Ashtakam | Parupalli Sri Ranganath | C Major | 3 | 8B | 79 BPM | ||
| Mooshikavahana | N. Surya Prakash, Partha Saradhi | D Minor | 5 | 7A | 168 BPM | ||
| Oh Chinna Maata | S. P. Sailaja, G. Anand | D Major | 5 | 10B | 144 BPM | ||
| Mangala Roopini (From "Om Sakthi Om Om Sakthi Om") | Vijayalakshmi Sarma | G Major | 5 | 9B | 98 BPM | ||
| Yekadasha Suthralu | S.P. Balu | F♯ Minor | 3 | 11A | 134 BPM | ||
| E Puranamula | Nithya Santhoshini | C Major | 6 | 8B | 170 BPM | ||
| Jayalakshmi Varalakshmi | G Balakrishna Prasad | D♭ Major | 7 | 3B | 160 BPM |