George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's ' "Let Us Break Their Bonds Asunder" was released on its scheduled release date, January 1, 1987. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 18 out of 54. On top of that, United States appears to be the country where this track was created. Based on our statistics, Let Us Break Their Bonds Asunder's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Let Us Break Their Bonds Asunder by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Messiah / Part 1: 18a. "He shall feed his flock" | George Frideric Handel, Arleen Auger, Anne Sofie von Otter, The English Concert, Trevor Pinnock | C Major | 1 | 8B | 87 BPM | ||
| Once As I Remember | Anonymous, The Monteverdi Choir, John Eliot Gardiner | E Major | 0 | 12B | 80 BPM | ||
| A Ceremony Of Carols, Op. 28: There Is No Rose | Benjamin Britten, Sioned Williams, Harry Christophers | B♭ Major | 0 | 6B | 129 BPM | ||
| Messiah, HWV 56 / Pt. 2: Their Sound Is Gone Out Into All Lands | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis | E♭ Major | 3 | 5B | 83 BPM | ||
| Maria Wiegenlied, Op. 76, No. 52 | Max Reger, André Previn, Kathleen Battle, Frederica von Stade, Orchestra of St. Luke's | A♭ Major | 1 | 4B | 169 BPM | ||
| Messiah, HWV 56: Part 1: Comfort ye my people (Accompagnato) | Nikolaus Harnoncourt | B♭ Major | 1 | 6B | 175 BPM | ||
| O Jesulein süss, BWV 493 | Choir of King's College, Cambridge, Stephen Cleobury | B Major | 1 | 1B | 75 BPM | ||
| Sussex Carol | Choir of King's College, Cambridge, Simon Preston, David Willcocks | G Major | 0 | 9B | 85 BPM | ||
| Exsultate, jubilate, K. 165: IV. Alleluja. Allegro | Wolfgang Amadeus Mozart, Barbara Bonney, The English Concert, Trevor Pinnock | C Major | 1 | 8B | 128 BPM | ||
| And the Glory of the Lord | The Tabernacle Choir at Temple Square, Orchestra at Temple Square | E Major | 2 | 12B | 162 BPM | ||
| Missa Brevis No. 7 In B Major St. Joannis De Deo - Agnus Dei | Joseph Haydn, Vienna Chamber Orchestra, Orchester der Wiener Staatsoper, Hans Gillesberger | A♭ Major | 2 | 4B | 112 BPM | ||
| Messiah, HWV 56 / Pt. 3: If God Be For Us, Who Can Be Against Us? | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Felicity Lott | G Minor | 1 | 6A | 116 BPM | ||
| Gloria: Qui tollis peccata mundi | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 2 | 6B | 96 BPM | ||
| Arise, Shine | John Rutter, The Cambridge Singers, Mark Williams | F♯ Major | 0 | 2B | 81 BPM | ||
| For Unto Us a Child Is Born | The Choir and Orchestra of Pro Christe | G Major | 3 | 9B | 105 BPM | ||
| And The Glory Of The Lord | 101 Strings Orchestra | E Major | 4 | 12B | 68 BPM | ||
| Nun komm, der Heiden Heiland, Cantata BWV 61: No. 1 "Nun komm, der Heiden Heiland" | Johann Sebastian Bach, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | A♭ Minor | 3 | 1A | 90 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 140: Chorale. Gloria sei dir gesungen (Chorus) | Johann Sebastian Bach, Susan Hamilton, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 170 BPM | ||
| I Know That My Redeemer Liveth | London Philharmonic Orchestra | E Major | 1 | 12B | 77 BPM | ||
| Purcell: Rejoice in the Lord Alway, Z. 49 | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Nicholas Hayes, Andrew King, Michael Cockerham, Francis Grier, Academy of St. Martin in the Fields | B Major | 2 | 1B | 82 BPM | ||
| And Suddenly There Was With The Angel/Glory To God - Medley | The Majesty And Glory Performers | D Major | 2 | 10B | 100 BPM | ||
| Surely He Hath Borne Our Griefs | The Tabernacle Choir at Temple Square, Orchestra at Temple Square | F Minor | 2 | 4A | 120 BPM | ||
| Messiah, HWV 56, Part III: No. 50, O Death, Where Is Thy Sting? | George Frideric Handel, London Symphony Orchestra, Mark Padmore, Sara Mingardo, Sir Colin Davis | E♭ Major | 1 | 5B | 105 BPM | ||
| Der Messias - In deutscher Sprache / Zweiter Teil: XXX. Arie. Tenor "Doch du ließest ihn im Grabe nicht" | George Frideric Handel, Ernst Haefliger, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram | G Major | 1 | 9B | 90 BPM | ||
| King Jesus Hath a Garden | King's College Choir | A Major | 1 | 11B | 78 BPM |