Adelaide Symphony Orchestra, Benjamin Northey's 'Stan and Mabel: 19. One Of The Judges - Music-only version' had a release date set for February 16, 2018. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 42 in the song's album "Stan and Mabel". In this album, this song's track order is #40. Stan and Mabel: 19. One Of The Judges - Music-only version is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stan and Mabel: 19. One Of The Judges - Music-only version by Adelaide Symphony Orchestra, Benjamin Northey having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | ||
| The Gondoliers, Act I: 11. In Enterprise Of Martial Kind | Arthur Sullivan, Adelaide Symphony Orchestra, Dennis Olsen, James Christiansen, Ruth Gurner, Norma Knight, Thomas Edmonds | B♭ Major | 6 | 6B | 116 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": Variation No. 9 "Nimrod" | Edward Elgar, Adelaide Symphony Orchestra, David Stanhope | E♭ Major | 1 | 5B | 89 BPM | ||
| Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 103 BPM | ||
| Symphony No. 1 in E Minor: III. Juba Dance | Florence Beatrice Price, Chineke! Orchestra, Roderick Cox | C Major | 3 | 8B | 108 BPM | ||
| Solomon HWV 67: The Arrival of the Queen of Sheba (Arr. Recorders & Orchestra) | George Frideric Handel, Lucie Horsch, Charlotte Barbour-Condini, Academy of Ancient Music, Bojan Čičić | A Major | 3 | 11B | 123 BPM | ||
| Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
| Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 66 BPM | ||
| Concert Suite from "Henry V": Touch her soft lips, and part | William Walton, Bournemouth Symphony Orchestra, Andrew Litton | E Minor | 0 | 9A | 71 BPM | ||
| Concerto in F Minor for Bass Tuba and Orchestra: I. Allegro moderato | Ralph Vaughan Williams, Peter Whish-Wilson, David Stanhope, Adelaide Symphony Orchestra | B♭ Minor | 1 | 3A | 67 BPM | ||
| Prelude | Gerald Finzi, Royal Ballet Sinfonia, David Lloyd-Jones | F Minor | 1 | 4A | 109 BPM | ||
| Ave, Verum Corpus, K. 618 | Wolfgang Amadeus Mozart, Adelaide Symphony Orchestra, Alan Smith, Dawn Forster, Jennifer Newman, Ron Spigelman, Sherrilyn Handley | A Major | 0 | 11B | 137 BPM | ||
| Help Is On Its Way - Live In Australia, 1979 | Little River Band, Adelaide Symphony Orchestra | G Major | 5 | 9B | 111 BPM | ||
| Grieg: Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | G Major | 0 | 9B | 160 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 129 BPM | ||
| Fra Holbergs tid, Op. 40: V. Rigaudon (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | G Major | 1 | 9B | 134 BPM | ||
| Elevazione for Solo Oboe, Solo Cello, Strings and Organ (Arr. V. Hunt) | Domenico Zipoli, Gordon Hunt, Norrköping Symphony Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Crown Imperial | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 116 BPM | ||
| Alfvén: Suite from The Mountain King, Op. 37: IV. The Hersmaid's Dances | Hugo Alfvén, Mariss Jansons, Oslo Philharmonic Orchestra | G Major | 2 | 9B | 150 BPM | ||
| Riverdance, A Symphonic Suite: XI. Cloudsong, Riverdance | Bill Whelan, RTÉ National Symphony Orchestra, David Brophy | E Minor | 3 | 9A | 73 BPM | ||
| The Big Parade: 12. The Rookies | Adelaide Symphony Orchestra, Timothy Sexton | C Major | 3 | 8B | 117 BPM | ||
| Mother Goose Suite: Sleeping Beauty Pavane | Maurice Ravel, Adelaide Symphony Orchestra, Ron Spigelman | C Major | 0 | 8B | 133 BPM | ||
| Celtic Concerto: 3. Solstice | Catrin Finch, Sinfonia Cymru, John Rutter | B♭ Minor | 2 | 3A | 140 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM |