"Peripheral Visions: No. 1, Abroad and at Home" by George Nicholson, Alison Smart, Katharine Durran had its release date on September 1, 1999. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Peripheral Visions". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Peripheral Visions: No. 1, Abroad and at Home is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Peripheral Visions: No. 1, Abroad and at Home by George Nicholson, Alison Smart, Katharine Durran having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato | Béla Bartók, Belcea Quartet | B♭ Minor | 1 | 3A | 89 BPM | ||
| Lamentate: I. Minacciando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | C Major | 0 | 8B | 72 BPM | ||
| Concerto Grosso No. 3: 5. Moderato | Alfred Schnittke, Victor Lieberman, Jaap Van Zweden, Ronald Brautigam, Royal Concertgebouw Orchestra, Riccardo Chailly | A Major | 1 | 11B | 70 BPM | ||
| Sonata for trumpet and piano | Kent Kennan, Raymond Mase | G Major | 0 | 9B | 65 BPM | ||
| Black Angels (13 Images from the Dark Land) Pt. 1 "Departure": No. 1, Threnody I [Night of the Electric Insects] | George Crumb, Miró Quartet | G Major | 4 | 9B | 105 BPM | ||
| Letters to the World: Yesterday Is History | George Nicholson, Alison Wells, John Turner, Keith Elcombe, Jonathan Price | F♯ Major | 0 | 2B | 69 BPM | ||
| 12 Notations pour piano: IX Lointain - Calme | Pierre Boulez, David Fray | F Major | 0 | 7B | 131 BPM | ||
| Threni: De Elegia Prima | Igor Stravinsky, Cappella Amsterdam, Noord Nederlands Orkest, Daniel Reuss, Guy Cutting, Thomas Walker | A Minor | 0 | 8A | 77 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: III. Allegretto | Dmitri Shostakovich, Cuarteto Casals | A Minor | 0 | 8A | 77 BPM | ||
| War Requiem, Op. 66: iii. Requiem Aeternam - "What passing-bells for these who die as cattle?" | Benjamin Britten, Gianandrea Noseda, Ian Bostridge, London Symphony Orchestra | D♭ Major | 0 | 3B | 80 BPM | ||
| Letters to the World: Heart! We will forget him! | George Nicholson, Alison Wells, John Turner, Keith Elcombe, Jonathan Price | E♭ Major | 0 | 5B | 81 BPM | ||
| Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 0 | 12A | 67 BPM | ||
| Letters to the World: Answer July | George Nicholson, Alison Wells, John Turner, Keith Elcombe, Jonathan Price | A♭ Major | 1 | 4B | 81 BPM | ||
| Symphony No. 2: III | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
| Seis piezas a Violeta (2023 Version for String Orchestra & Piano): III. Ritmo Genésico | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin | E Major | 0 | 12B | 57 BPM | ||
| Preludio de Luciérnagas | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | B Minor | 1 | 10A | 79 BPM | ||
| Bachianas brasileiras No. 3: I. Preludio. Ponteio | Heitor Villa-Lobos, Jose Feghali, Nashville Symphony Orchestra, Kenneth Schermerhorn | G Minor | 1 | 6A | 124 BPM | ||
| Med.Lab. | James Horner, London Symphony Orchestra | D♭ Major | 0 | 3B | 90 BPM | ||
| Sancan: Sonatina for Flute and Piano: II. Andante espressivo | Pierre Sancan, Emmanuel Pahud, Eric Le Sage | G Major | 0 | 9B | 63 BPM | ||
| Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | D Major | 0 | 10B | 77 BPM | ||
| Recitation Book: V. Fanfare on the Chorale Melody "Durch Adams Fall" | David Maslanka, Masato Kumoi Sax Quartet | A♭ Major | 3 | 4B | 88 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
| String Quartet No. 3: III. — | George Nicholson, Bochmann String Quartet | C Major | 1 | 8B | 82 BPM | ||
| Lyric Suite: V. Presto delirando - Tenebroso | Alban Berg, Leonkoro Quartet | A Minor | 0 | 8A | 77 BPM | ||
| Totem Ancestor | John Cage, Kronos Quartet | B♭ Major | 1 | 6B | 155 BPM |