Shepherd's Pipe Carol (Adapted By Chris Hazell) by John Rutter, Bryn Terfel, Côrdydd, Sioned James, Orchestra of the Welsh National Opera, Tecwyn Evans Song Details

John Rutter, Bryn Terfel, Côrdydd, Sioned James, Orchestra of the Welsh National Opera, Tecwyn Evans's ' "Shepherd's Pipe Carol (Adapted By Chris Hazell)" was released on its scheduled release date, January 1, 2010. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Shepherd's Pipe Carol (Adapted By Chris Hazell)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 26 in Carols & Christmas Songs by Bryn Terfel. Based on our statistics, Shepherd's Pipe Carol (Adapted By Chris Hazell)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

The tempo marking of Shepherd's Pipe Carol (Adapted By Chris Hazell) by John Rutter, Bryn Terfel, Côrdydd, Sioned James, Orchestra of the Welsh National Opera, Tecwyn Evans is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Music Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -18.029 dB
Acousticness: 97%
Danceability: 43%
Energy: 23%
Instrumentalness: 44%
Liveness: 6%
Loudness: 70%
Speechiness: 4%
Valence: 55%

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