Sarah Vaughan's 'What'll I Do' had a release date set for 1963. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. What'll I Do's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Lonely Hours". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. What'll I Do is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With What'll I Do by Sarah Vaughan having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lover, Come Back To Me | Billie Holiday | A Minor | 2 | 8A | 121 BPM | ||
| I'll Close My Eyes | Mildred Bailey | F Minor | 1 | 4A | 69 BPM | ||
| Stardust | Samara Joy | D♭ Major | 2 | 3B | 128 BPM | ||
| It Isn't So Good | Irene Kral | A♭ Major | 4 | 4B | 108 BPM | ||
| Frankie And Johnny | Morgana King | E♭ Major | 3 | 5B | 87 BPM | ||
| The Masquerade Is Over | Nancy Wilson, Cannonball Adderley | B♭ Major | 0 | 6B | 174 BPM | ||
| Darn That Dream | Sarah Vaughan | A Minor | 2 | 8A | 92 BPM | ||
| Dancing In The Dark | Cannonball Adderley | F Major | 3 | 7B | 185 BPM | ||
| There Is No Greater Love | Betty Carter | F Major | 0 | 7B | 113 BPM | ||
| Isn't It Romantic? | Chet Baker Quartet | C Minor | 2 | 5A | 135 BPM | ||
| Come Rain or Come Shine | Sarah Vaughan | A Minor | 1 | 8A | 71 BPM | ||
| The Nearness Of You | Ella Fitzgerald, Louis Armstrong | F♯ Major | 1 | 2B | 82 BPM | ||
| I Love Paris | Annie Ross | B♭ Major | 1 | 6B | 140 BPM | ||
| You Turned The Tables On Me | Anita O'Day, Oscar Peterson Quartet | A Minor | 1 | 8A | 115 BPM | ||
| You're Not So Easy To Forget | Morgana King | F Minor | 2 | 4A | 118 BPM | ||
| Misty | Erroll Garner | B♭ Minor | 2 | 3A | 98 BPM | ||
| Do It Again | Shirley Horn | C Major | 1 | 8B | 78 BPM | ||
| Prisoner of Love | Veronica Swift | D♭ Major | 2 | 3B | 74 BPM | ||
| East Of The Sun | Billie Holiday | A Minor | 2 | 8A | 121 BPM | ||
| I've Got A Crush On You | Ella Fitzgerald | D Major | 1 | 10B | 67 BPM | ||
| Steppin' Out With My Baby | Fred Astaire | C Minor | 2 | 5A | 90 BPM | ||
| I Could Write a Book | Betty Carter, Ray Bryant | G Major | 2 | 9B | 113 BPM | ||
| I've Heard That Song Before | Harry James | F Major | 4 | 7B | 126 BPM | ||
| The Touch Of Your Lips | Chet Baker | A Minor | 1 | 8A | 109 BPM | ||
| Dedicated To You | John Coltrane, Johnny Hartman | A♭ Major | 1 | 4B | 63 BPM |