Франц Шуберт, Оркестр Золотого Света's ' "Музыкальный момент" was released on its scheduled release date, February 7, 2000. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 20 лучших классических мелодий, so we believe that "Музыкальный момент" is a single. In terms of popularity, Музыкальный момент is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Музыкальный момент by Франц Шуберт, Оркестр Золотого Света is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le nozze di Figaro, K. 492: "Porgi Amor" | Paris Faith Winter, Tammy L. Hall | E♭ Major | 0 | 5B | 139 BPM | ||
| Derry Air (Danny Boy) | Paul Robeson | F♯ Major | 2 | 2B | 97 BPM | ||
| Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Choir of King's College, Cambridge, John Carol Case, Sir David Willcocks, New Philharmonia Orchestra | G Major | 1 | 9B | 145 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Amado Mio | Paul Potts | F Minor | 4 | 4A | 67 BPM | ||
| Chausson: 2 Mélodies, Op. 36: No. 1, Cantique à l'épouse | Ernest Chausson, Gérard Souzay, Dalton Baldwin | C Minor | 3 | 5A | 74 BPM | ||
| Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM | ||
| Come away, death, Op. 6 No. 1 | Ian Bostridge, Julius Drake | G Minor | 0 | 6A | 109 BPM | ||
| Mozart: Die Zauberflöte, K. 620, Act 2: "Papagena! Weibchen! Täubchen!" (Papageno, Die drei Knaben) | Wolfgang Amadeus Mozart, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen, Benjamin Gilbert, Oliver Barlow, Sam Jackman | E♭ Major | 0 | 5B | 100 BPM | ||
| Любящая пишет, D. 673 | Франц Шуберт, Михаил Коллонтай, Ольга Седельникова | E Major | 1 | 12B | 130 BPM | ||
| Prince Igor (Knyaz Igor), Act II: Ni sna ne otdikha | Alexander Borodin, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | D♭ Major | 3 | 3B | 132 BPM | ||
| Литания ми-бемоль мажор | Франц Шуберт, Ференц Лист, Владимир Софроницкий | D Minor | 2 | 7A | 86 BPM | ||
| Misatango, Misa a Buenos Aires: III. Gloria | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 82 BPM | ||
| Palomma 'e notte | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | F Major | 2 | 7B | 89 BPM | ||
| Hänsel und Gretel: Abends will ich schlafen gehn | Engelbert Humperdinck, Hera Hyesang Park, Emily D'Angelo, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
| 4 Lieder, Op. 27, TrV 170 (Version for Voice & Orchestra): No. 2, Cäcilie | Richard Strauss, Louise Alder, Finnish Radio Symphony Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 78 BPM | ||
| Wagner: Die Meistersinger von Nürnberg: Prelude | Richard Wagner, Herbert von Karajan, Staatskapelle Dresden | C Minor | 3 | 5A | 74 BPM | ||
| «Фантазия» фа минор | Ф.Шуберт, Максим Пурыжинский и Ирина Силиванова | C Major | 1 | 8B | 156 BPM | ||
| Cui: 25 Poems by Pushkin, Op. 57: No. 25, Desire | César Cui, Boris Christoff, Serge Zapolsky | C Major | 2 | 8B | 114 BPM | ||
| Shylock, Op. 57: I. Chanson | Gabriel Fauré, Lynda Russell, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
| Deux romances, L. 78: No. 1, L'âme évaporée | Dilyana Georgieva, Galina Apostolova | D Major | 3 | 10B | 124 BPM | ||
| Die schöne Müllerin, D. 795: II. Wohin? | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | D Major | 1 | 10B | 74 BPM | ||
| Gloria, FP 177: II. Laudamus te | Francis Poulenc, Britten Sinfonia, Polyphony, Stephen Layton, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 130 BPM | ||
| Glückwunsch eines Enfant terrible | Edmund Nick, Constance Heller, Gerold Huber | F Minor | 1 | 4A | 82 BPM | ||
| Orff: Carmina Burana, Pt. 2, In Taberna: In taberna quando sumus | Carl Orff, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM |