Mohammed Rafi's 'Neekela Inta Niraasa - Male Vocals' had a release date set for December 1, 1976. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 9 in Aradhana (Original Motion Picture Soundtrack) by S. Hanumantha Rao. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Neekela Inta Niraasa - Male Vocals is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Neekela Inta Niraasa - Male Vocals by Mohammed Rafi is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dil Lagakar Ham Yeh Samjhe | Mahendra Kapoor | F♯ Major | 5 | 2B | 101 BPM | ||
| Tarari Tarari | Suraiya, Mohammed Rafi | A♭ Major | 2 | 4B | 177 BPM | ||
| Suno Sajna Papihe Ne Kaha (From "Aaye Din Bahar Ke") | Tabassum, Lata Mangeshkar | E Major | 6 | 12B | 91 BPM | ||
| Ankhiyon Ke Jharokhon Se - Part 2 | Hemlata, Ravindra Jain | F Minor | 4 | 4A | 120 BPM | ||
| Ram Teri Ganga Maili | Suresh Wadkar | E♭ Major | 6 | 5B | 155 BPM | ||
| Commentary Tabussum And Aaj Rapat Jaayen To - Namak Halaal | Tabassum, Asha Bhosle, Kishore Kumar, Bappi Lahiri | D♭ Major | 5 | 3B | 106 BPM | ||
| Buhat Khobsoorat Hai Mera Sanam | Mehdi Hassan | C Minor | 7 | 5A | 141 BPM | ||
| Bole Re Papihara | Vani Jairam | D♭ Minor | 7 | 12A | 89 BPM | ||
| Suhana Safar Aur Yeh Mausam | Mukesh | G Minor | 3 | 6A | 151 BPM | ||
| Tu Kahan Ye Bata | Mohammed Rafi, S. D. Burman | F♯ Minor | 6 | 11A | 169 BPM | ||
| Yun Zindagi Ki | Chitra Singh | A♭ Major | 5 | 4B | 104 BPM | ||
| Tu Is Tarah Se - Manhar Udhas | Manhar Udhas | G Major | 3 | 9B | 92 BPM | ||
| Aaj Ki Raat Mere Dil Ki Salami Lele | Mohammed Rafi | A♭ Major | 4 | 4B | 126 BPM | ||
| Chaudhvin Ka Chand Ho (From "Chaudhvin Ka Chand") | Mohammed Rafi | G Major | 3 | 9B | 98 BPM | ||
| Na Na Karte Pyar Tumhin Se | Suman Kalyanpur, Mohammed Rafi | F♯ Major | 6 | 2B | 198 BPM | ||
| Tuhi Woh Hasin | Mohd. Rafi | A♭ Major | 5 | 4B | 118 BPM | ||
| Yeh Wadiyan Yeh Fizayen | Mohammed Rafi | E♭ Major | 5 | 5B | 118 BPM | ||
| Mere Paas Aao Mere Dosto | Amitabh Bachchan, Master Ravi | D Major | 3 | 10B | 77 BPM | ||
| Kaisi Haseen Raat | Talat Mahmood, Mohammed Rafi | B Minor | 2 | 10A | 132 BPM | ||
| Chandan Sa Badan Chanchal Chitwan - Mukesh | Mukesh, Kalyanji-Anandji | B♭ Major | 3 | 6B | 94 BPM | ||
| Main Jaan Gayu Tujhe Saiyaan (From "Howrah Bridge") | Shamshad Begum, Mohammed Rafi | G Major | 5 | 9B | 164 BPM | ||
| Commentary Tabussum And O Saathi Re - Muqaddar Ka Sikandar | Tabassum, Kishore Kumar, Kalyanji-Anandji | F♯ Major | 5 | 2B | 99 BPM | ||
| Ankhiyon Ke Jharokhon Se - Part 1 | Hemlata, Ravindra Jain | E♭ Major | 5 | 5B | 82 BPM | ||
| Tujh Ko Dariya Dil Ki Kasam | Jagjit Singh, Chitra Singh | E Major | 4 | 12B | 121 BPM | ||
| Kabhi Khwab Mein | Talat Aziz, Dilraj Kaur | F Minor | 4 | 4A | 126 BPM |