On January 1, 2007, the song "Dangerous Hearts" was released by Chris Murray. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Slackness". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Dangerous Hearts's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Dangerous Hearts by Chris Murray having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
| Bruch: Kol Nidrei, Op. 47 (Arr. for Cello and Piano) | Max Bruch, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 95 BPM | ||
| This Is a Call to Arms | Bandits Of The Acoustic Revolution | A Minor | 2 | 8A | 125 BPM | ||
| Let There Be Peace | Chris Murray | C Major | 6 | 8B | 157 BPM | ||
| 4th of July | Chris Murray | G Major | 3 | 9B | 93 BPM | ||
| Fauré: Berceuse, Op. 16 | Gabriel Fauré, Renaud Capuçon, Michel Dalberto | D Major | 0 | 10B | 133 BPM | ||
| Berceuse in D Flat Major, Op. 57 | Frédéric Chopin, Hélène Grimaud | D♭ Major | 1 | 3B | 95 BPM | ||
| Earthquake and Fire | Hepcat | A Major | 8 | 11B | 135 BPM | ||
| Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | ||
| The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
| Romance in D Minor, Op. 62 (Arr. Parkin for String Ensemble) | Edward Elgar, Sheku Kanneh-Mason, The Heath Quartet, Toby Hughes | D Minor | 1 | 7A | 93 BPM | ||
| The World's About Me | Chris Murray | A Minor | 8 | 8A | 93 BPM | ||
| Sei Pazzo | Eastern Standard Time | G Major | 6 | 9B | 85 BPM | ||
| Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | ||
| String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento | Antonín Dvořák, Škampa Quartet | D Minor | 0 | 7A | 87 BPM | ||
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
| Piano Concerto No. 21 in C Major, K. 467: II. Andante "Elvira Madigan" | Wolfgang Amadeus Mozart, Géza Anda, Camerata Salzburg | F Major | 0 | 7B | 175 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| An Unwelcome Friend (Arr. M. Riesman & N. Muhly for Solo Piano) | Philip Glass, Nicolas Horvath | B♭ Major | 0 | 6B | 74 BPM | ||
| Lyric Pieces, Book VI, Op. 57: No. 6, Hjemve. Andante | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 166 BPM | ||
| 2 Pieces, Op. Posth., B. 188: No. 1, Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
| Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
| Fauré: Élégie in C Minor, Op. 24 | Gabriel Fauré, Jacqueline du Pré, Gerald Moore | A♭ Major | 0 | 4B | 56 BPM | ||
| A Slumber Song of the Madonna (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 111 BPM | ||
| Why We Go to War | Chris Murray | E Major | 7 | 12B | 116 BPM |