The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version) by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra Song Details

"The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version)" by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra had its release date on 1958. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Stravinsky: The Rite of Spring & The Firebird Suite". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version) by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -9.491 dB
Acousticness: 92%
Danceability: 10%
Energy: 63%
Instrumentalness: 13%
Liveness: 15%
Loudness: 84%
Speechiness: 4%
Valence: 6%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Planets, Op. 32: VI. Uranus, the Magician	Gustav Holst, London Symphony Orchestra, Sir Colin Davis	C Major	2	8B	115 BPM
Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19	London Symphony Orchestra	G Major	1	9B	74 BPM
Verklärte Nacht, Op. 4 (Version for String Orchestra): V. Adagio (Bar 370)	Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan	D♭ Minor	0	12A	67 BPM
The Firebird Suite (1919 Version): V. Infernal Dance of King Kashchei	Igor Stravinsky, Leonard Bernstein, New York Philharmonic	A Major	4	11B	164 BPM
Eine Alpensinfonie: I. Nacht - Sonnenaufgang	Richard Strauss, Bernard Haitink, London Symphony Orchestra	B♭ Minor	0	3A	88 BPM
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity	Gustav Holst, Leonard Bernstein, New York Philharmonic	C Minor	3	5A	60 BPM
Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	A♭ Major	2	4B	127 BPM
Apollon musagète, "Apollo": Pas de deux: Apollo and Terpsichore	London Symphony Orchestra, Robert Craft	C Major	0	8B	53 BPM
Candide: Overture	Leonard Bernstein, New York Philharmonic	E♭ Major	4	5B	82 BPM
Harold en Italie, Op. 16, H 68: I. Harold Aux Montagnes. Scènes de mélancolie, de bonheur et de joie	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tabea Zimmerman	E♭ Minor	1	2A	106 BPM
Eine Alpensinfonie: VI. Auf dem Gipfel	Richard Strauss, Bernard Haitink, London Symphony Orchestra	C Major	1	8B	78 BPM
Symphony No. 3 In D Minor / Part 2: 6.- Tempo I - Live	Gustav Mahler, New York Philharmonic, Leonard Bernstein	D Major	1	10B	89 BPM
Lutosławski: Concerto for Orchestra: I. Intrada. Allegro maestoso	Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra	F♯ Minor	1	11A	128 BPM
Carnival of the Animals: XI. Piano Players	Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra	C Major	1	8B	82 BPM
Carnival of the Animals: XII. Fossils	Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra	E♭ Major	3	5B	114 BPM
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: The Quarrel	Sergei Prokofiev, André Previn, London Symphony Orchestra	G Major	3	9B	79 BPM
Rapsodie espagnole, M. 54: I. Prélude à la nuit	Maurice Ravel, London Symphony Orchestra, Claudio Abbado	B Major	0	1B	119 BPM
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto	Béla Bartók, Berliner Philharmoniker, Herbert von Karajan	F Major	0	7B	96 BPM
Capriccio espagnol, Op. 34: IV. Scena e canto gitano	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	A Minor	1	8A	78 BPM
Parade of the Ewoks	John Williams, London Symphony Orchestra	F Major	2	7B	118 BPM
Carmina Burana: X. Were diu werlt alle min	Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox	C Major	2	8B	143 BPM
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Procession of the Sage (1921 Version)	Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra	C Minor	6	5A	84 BPM
The Rite of Spring, K15, Pt. 2: XI. Glorification of the Chosen One	Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan	B♭ Major	4	6B	134 BPM
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: The Fight	Sergei Prokofiev, André Previn, London Symphony Orchestra	E Minor	4	9A	77 BPM
Carnival of the Animals: IV. Tortoises	Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra	C Minor	0	5A	65 BPM