Narendra Chanchal's ' "Hanuman Chalisa" was released on its scheduled release date, January 1, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Narendra Chanchal's "Hamare Ramji Ko Ram Ram Kahiye" album is number 1 out of 7. On top of that, India appears to be the country where this track was created. Hanuman Chalisa is average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hanuman Chalisa by Narendra Chanchal to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hey Bajrang Bali Hanuman | Jitendra Singh | A Major | 7 | 11B | 124 BPM | ||
| Marno Ho To Main Marun Shri Radhe Ke Dwar | Gaurav Krishna Goswami | A Major | 9 | 11B | 150 BPM | ||
| Govind Chale Aao | Vinod Agarwal | B Major | 7 | 1B | 101 BPM | ||
| Bhaye Pragat Kripala Deen Dayala | Arpit Srivastava | B Major | 5 | 1B | 130 BPM | ||
| Shree Shiv Manas Pooja | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 4 | 5B | 141 BPM | ||
| Bhagwa Rang | Shahnaaz Akhtar | B Major | 8 | 1B | 100 BPM | ||
| Mere Mahakal Aaye Hain | Gajendra Pratap Singh, Ravindra | D Major | 9 | 10B | 96 BPM | ||
| Oonchee Hai Pahaadi | Udit Narayan | B♭ Minor | 6 | 3A | 80 BPM | ||
| Mithe Ras Se Bharyo Re Radha Rani Lage | Asif Jeriya, Ami Joshi | D♭ Major | 5 | 3B | 90 BPM | ||
| Main To Bhole Baba Diwana Tere Naam Ka | Udit Narayan | D♭ Minor | 5 | 12A | 102 BPM | ||
| Shiv Shambho Shiv Shambho | Shri Nitin Limaye | A♭ Major | 5 | 4B | 143 BPM | ||
| Shri Krishna Sharanam Mamah- A | Ashit Desai | F♯ Minor | 6 | 11A | 79 BPM | ||
| Bata Mere Yaar Sudama Re | Vidhi Deshwal, Isha, Muskan, Rinku, Manisha, Sheetal | E♭ Minor | 7 | 2A | 135 BPM | ||
| Hey Shiv Shankar Hey Karunakar | Jagjit Singh | F Major | 4 | 7B | 144 BPM | ||
| Bol Jaikare Re Bol Jaikare | Shahnaz Akhtar | B Minor | 9 | 10A | 104 BPM | ||
| Baba Main Teri Patang - Sai Bhajan | Puneet Khurana | F♯ Minor | 8 | 11A | 82 BPM | ||
| Shiva Stuti | Ashit Desai, Hema Desai, Alap Desai | F Major | 5 | 7B | 126 BPM | ||
| Alakh ke Amal Par | NARAYANSWAMI | A♭ Major | 5 | 4B | 123 BPM | ||
| Kare Bhagat Teri Arti | Rakesh Tiwari | B♭ Minor | 5 | 3A | 73 BPM | ||
| Hum Katha Sunte Ram | Arun | C Major | 7 | 8B | 104 BPM | ||
| Gajendra Moksha Stotram | Isha Sharma | A Major | 8 | 11B | 176 BPM | ||
| Meri Vinti Yahi Hai Radharani | Chitra Vichitra Ji Maharaj | C Minor | 6 | 5A | 97 BPM | ||
| Meri Jhopdi Ke Bhag Aaj Jag Jayenge | Devendra Pathak | F♯ Major | 9 | 2B | 80 BPM | ||
| Kaam Hoga Wahi Jise | Lakhbir Singh Lakkha | D♭ Major | 6 | 3B | 162 BPM | ||
| Tumse Laagi Lagan | Anjali Jain, Namita Jain, Anubhav Kapil | E♭ Minor | 4 | 2A | 115 BPM |