"Tannhäuser, WWV 70, Act III: Beglückt darf nun dich, o Heimat (Elisabeth)" by Richard Wagner, Nina Stemme, Christian Gerhaher, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin had its release date on January 1, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Tannhäuser by Richard Wagner, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin, Robert Dean Smith, Nina Stemme, Marina Prudenskaya, Christian Gerhaher. The song's track number on the album is #3 out of 37 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. The popularity of Tannhäuser, WWV 70, Act III: Beglückt darf nun dich, o Heimat (Elisabeth) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser, WWV 70, Act III: Beglückt darf nun dich, o Heimat (Elisabeth) by Richard Wagner, Nina Stemme, Christian Gerhaher, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Tannhäuser, WWV 70, Act III: Beglückt darf nun dich, o Heimat (Elisabeth) being at 170 BPM, the half-time would be 85 BPM with a double-time of 340 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
| Das Rheingold, Scene 1: Weia! Waga! Woge du Welle! | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 110 BPM | ||
| Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM | ||
| Aida, Act II: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 0 | 1A | 135 BPM | ||
| La damnation de Faust, Op. 24: Rákóczy March "Hungarian March" | Hector Berlioz, Leonard Bernstein, New York Philharmonic | A Major | 3 | 11B | 100 BPM | ||
| Symphony No.9 In D Minor, Op.125 - "Choral" - Excerpt From 4th Movement: 4. Presto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 74 BPM | ||
| Wagner: Die Meistersinger von Nürnberg: Vorspiel | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | A♭ Major | 1 | 4B | 91 BPM | ||
| Symphony In C Major: IV. Allegro Vivace | New Zealand Symphony Orchestra, Georges Bizet | G Major | 1 | 9B | 146 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| Macbeth, Act I: Witches' Chorus. Che faceste? dite su! - Giorno non vid mai | Giuseppe Verdi, Piero Cappuccilli, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D♭ Major | 1 | 3B | 81 BPM | ||
| Symphony No. 9 in E minor, Op. 95 "From the New World": 1. Adagio - Allegro molto | Antonín Dvořák, The Cleveland Orchestra, Christoph von Dohnányi | E Minor | 2 | 9A | 130 BPM | ||
| Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | D♭ Minor | 1 | 12A | 165 BPM | ||
| Wagner: Lohengrin, Act III: Prelude | Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra | G Major | 3 | 9B | 85 BPM | ||
| Strauss, R: An Alpine Symphony, Op. 64: I. Night | Richard Strauss, Rudolf Kempe, Staatskapelle Dresden | F Major | 1 | 7B | 79 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 0 | 5A | 71 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| Don Giovanni, K.527: Overture | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 129 BPM | ||
| Der Freischütz, J. 277, Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 5 | 11B | 91 BPM | ||
| Requiem, K. 626: Sequentia: Dies irae | Wolfgang Amadeus Mozart, Sir Colin Davis, Angela Maria Blasi, Marjana Lipovsek, Uwe Heilmann, Jan-Hendrik Rootering | G Minor | 4 | 6A | 80 BPM | ||
| Le nozze di Figaro - Comic opera in four acts K492 (2000 Digital Remaster): Overture | Wolfgang Amadeus Mozart, Glyndebourne Festival Orchestra/Vittorio Gui, Vittorio Gui, Glyndebourne Festival Orchestra | D Major | 1 | 10B | 79 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
| Soirées musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
| Tosca, Act III: Come è lunga l'attesa! | Giacomo Puccini, Mirella Freni, National Philharmonic Orchestra, Nicola Rescigno | C Major | 1 | 8B | 76 BPM | ||
| Das Rheingold, Scene 1: Wallala! Lalaleia! Leialalei! - 2012 Remaster | Richard Wagner, Oda Balsborg, Hetty Plümacher, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | A♭ Major | 3 | 4B | 97 BPM |