Five Mystical Songs: Easter by Ralph Vaughan Williams, Stephen Roberts/Sinfonia Chorus/Alan Fearon/Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England Song Details

"Five Mystical Songs: Easter" by Ralph Vaughan Williams, Stephen Roberts/Sinfonia Chorus/Alan Fearon/Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England had its release date on June 5, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ralph Vaughan Williams, Richard Hickox, Northern Sinfonia Of England's "Hickox conducts Vaughan Williams" album is number 10 out of 36. Based on our statistics, Five Mystical Songs: Easter's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Five Mystical Songs: Easter by Ralph Vaughan Williams, Stephen Roberts/Sinfonia Chorus/Alan Fearon/Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.

Music Key

This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -21.2 dB
Acousticness: 98%
Danceability: 22%
Energy: 16%
Instrumentalness: 0%
Liveness: 14%
Loudness: 65%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Dona nobis pacem: Dirge for 2 Veterans	Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill	F Major	2	7B	88 BPM
Karelia Suite, Op.11: 3. Alla marcia (Moderato)	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	A Major	3	11B	164 BPM
Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	E Major	1	12B	79 BPM
Two Eligiac Melodies Last Spring	Academy of St. Martin in the Fields	G Major	1	9B	88 BPM
Finlandia, Op. 26	Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	3	4B	67 BPM
Prélude à l'après-midi d'un faune	Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Emmanuel Pahud	A♭ Minor	0	1A	84 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
A Shropshire Lad - Rhapsody	George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner	A♭ Major	1	4B	95 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee	F Major	1	7B	147 BPM
Appalachian Spring: I. Very Slowly	Aaron Copland, Leonard Bernstein, New York Philharmonic	A Major	0	11B	78 BPM
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	G Major	1	9B	59 BPM
Charterhouse Suite: Prelude	Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones	F Major	0	7B	134 BPM
Sally in Our Alley	Frank Bridge, English Northern Philharmonia, David Lloyd-Jones	G Major	1	9B	115 BPM
Serse, HWV 40: Largo "Ombra mai fu"	George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra	G Major	1	9B	82 BPM
Fauré: Pavane, Op. 50	Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra	F♯ Minor	0	11A	130 BPM
Appalachian Spring: VI. Meno mosso	Aaron Copland, Leonard Bernstein, New York Philharmonic	A♭ Major	0	4B	143 BPM
Come, Sweet Death, BWV 478 (Arr. for 5 Cellos)	Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi	C Major	0	8B	122 BPM
Song For Athene	John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton	B♭ Major	0	6B	97 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester	E♭ Major	1	5B	110 BPM
String Quartet No. 1	Pyotr Ilyich Tchaikovsky, Shostakovich Quartet	F Major	1	7B	105 BPM
Aleko: Intermezzo	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	B♭ Major	0	6B	90 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7	Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin	A Major	0	11B	87 BPM
3 Small Tone Poems: No. 3, Spring Morning	Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones	A Major	0	11B	89 BPM
VIII. Romance	Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar	D♭ Major	0	3B	138 BPM
Elegy, Op. 58	Edward Elgar, English Northern Philharmonia, David Lloyd-Jones	F Minor	0	4A	84 BPM