On May 25, 1999, the song "Maai Bol Tiya" was released by Rekha Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rani's "Marad Mehanga Bujhata" album is number 3 out of 8. On top of that, India appears to be the country where this track was created. The popularity of Maai Bol Tiya is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Maai Bol Tiya by Rekha Rani to be Presto (very, very fast) because the track has a tempo of 179 BPM, a half-time of 90BPM, and a double-time of 358 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| DP Me Hamare Photo | Karina Pandey | B♭ Minor | 7 | 3A | 165 BPM | ||
| Gori Mukhadi - Pahadi | Rakesh Joshi | B Major | 8 | 1B | 105 BPM | ||
| Ram Ganga Nayola Devto - Garhwali Jagar | Pradeep Butola | G Minor | 10 | 6A | 120 BPM | ||
| Khake Kamla Pasand Saiya Mare Dana Dan - Bhojpuri | Mithlesh Tufani | D♭ Major | 10 | 3B | 120 BPM | ||
| E Ka Bihar Mein Hota | Anand Mohan, Indu Sonali, Vinay Bihari, Aparna Bhagwat | F♯ Major | 5 | 2B | 129 BPM | ||
| Javniyan Hamar Bhauji | Rekha Rani | F♯ Major | 6 | 2B | 161 BPM | ||
| Saiyan Aaib Kab Ghare Ghop Ghop Kare | Arjun Raja | F♯ Minor | 9 | 11A | 137 BPM | ||
| Pagha Turabata Jawaniya | Khesari Lal Yadav, Priyanka Singh | F♯ Minor | 8 | 11A | 93 BPM | ||
| Pala Satake | Pawan Singh | A Minor | 9 | 8A | 128 BPM | ||
| Kani Hansi Kahu | Udit Narayan, Deepa Narayan | G Major | 7 | 9B | 91 BPM | ||
| Mat Chhedei Rameya Gaada | Dharmej Saundhu, Rekha Rani | G Minor | 9 | 6A | 123 BPM | ||
| Hum Na Basab Naiharwa | Bijli Rani, Rekha Rani | A♭ Minor | 7 | 1A | 98 BPM | ||
| B.A. Karke Bakri Charavata | Anand Mohan | C Minor | 8 | 5A | 128 BPM | ||
| Ae Bhauji Jaldi Se Karada Mor Gawanwa | Bijali Rani, Rekha Rani | F♯ Major | 6 | 2B | 154 BPM | ||
| Man Hokhe Ta Boli | Pawan Singh | B♭ Minor | 9 | 3A | 84 BPM | ||
| Paudi - Paudi Chad Bhagta | Mukesh Pattiwala, Rekha Rani | B Minor | 7 | 10A | 90 BPM | ||
| Baithal Khaaib | Rekha Rani | F♯ Major | 6 | 2B | 154 BPM | ||
| Bhayi Ye Maha Part 2 | Rekha Rani | D♭ Major | 7 | 3B | 93 BPM | ||
| Raato Lammiyaan Haakaan Laanda | Dharmej Saundhu, Rekha Rani | F♯ Major | 6 | 2B | 154 BPM | ||
| Teri Khabar Na Ondi | Mukesh Pattiwala, Rekha Rani | B♭ Minor | 7 | 3A | 78 BPM | ||
| YAARO RI SHADI | Nati King Kuldeep Sharma | A♭ Major | 10 | 4B | 146 BPM | ||
| Chalelu Dahariya Ta Nadi Biche | Gopal Rai | F Minor | 8 | 4A | 150 BPM | ||
| Gajab Gadrail Biya Chauri | Amit Patel | G Major | 10 | 9B | 95 BPM | ||
| Hardam Kare Je Bipatiya Mein Madatiya Ho | Gaurangi Gauri Ji | E♭ Minor | 8 | 2A | 150 BPM | ||
| Murga Bechain Bate | Arvind Akela Kallu Ji, Pawan Singh | B♭ Minor | 9 | 3A | 135 BPM |