"Twelve Astrological Preludes: VII. Cancer" by Roderick elms, The Aurora Ensemble had its release date on 2013. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Twelve Astrological Preludes: VII. Cancer's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 25 in Elms: Moody Moves by Roderick elms, The Aurora Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Twelve Astrological Preludes: VII. Cancer is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Twelve Astrological Preludes: VII. Cancer by Roderick elms, The Aurora Ensemble is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stanley Myers : Cavatina | Stanley Myers, Park Kyuhee | A Major | 1 | 11B | 138 BPM | ||
| Penguin play | Nigel Westlake, Timothy Kain | D Major | 1 | 10B | 90 BPM | ||
| Sonata giocosa: II. Andante moderato | Joaquín Rodrigo, Marcin Dylla | A Minor | 0 | 8A | 102 BPM | ||
| Bella Ciao | Karlijn Langendijk, Siccas Guitars | E Minor | 2 | 9A | 111 BPM | ||
| Suite: O, Waly Waly | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 95 BPM | ||
| Ocean | Arash Ahmadi | E Minor | 0 | 9A | 82 BPM | ||
| La foule (Arr. Dyens for Guitar) | Ángel Cabral, Alexandra Whittingham | E Minor | 2 | 9A | 89 BPM | ||
| Consolation No. 3 | Ieuan Jones | D♭ Major | 0 | 3B | 135 BPM | ||
| Moody Moves: VI. Saucy Saltarello | Roderick elms, The Aurora Ensemble | B♭ Minor | 1 | 3A | 93 BPM | ||
| Gran Vals | Francisco Tárrega, Yuval Te’eni | E Major | 0 | 12B | 82 BPM | ||
| Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
| Serie Americana: I. Preludio | Hector Ayala, Roberto Aussel | D Minor | 2 | 7A | 106 BPM | ||
| Visions of St Anne – Symphony for Orchestra: I. Variazioni | Roderick elms, BBC Concert Orchestra, Barry Wordsworth | G Major | 1 | 9B | 141 BPM | ||
| Adagio in F Major, Hob. XVII:9 | Joseph Haydn, Xavier De Maistre | C Major | 2 | 8B | 66 BPM | ||
| Ballade for Viola, Wind, Harp, Harpsichord, Timpani, Percussion and Orchestra | Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Philip Dukes, Rachel Masters, Adrian Bending, Rachel Gledhill, Keith Millar, Roderick elms | D♭ Major | 0 | 3B | 82 BPM | ||
| Tra Bo Dau (Arr. Huws for Harp) | Alis Huws | E♭ Major | 0 | 5B | 78 BPM | ||
| Cantique (Arr. Vennart for Saxophone & Ensemble) | Nadia Boulanger, Jess Gillam, Jess Gillam Ensemble | F Major | 1 | 7B | 67 BPM | ||
| Praise, My Soul, the King of Heaven | John Goss, Roderick elms, Brentwood Cathedral Choir, Andrew Wright, Stephen King | D Major | 1 | 10B | 82 BPM | ||
| Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | ||
| 3 Spirituals for Orchestra: No. 2, Kum Ba Ya | Adolphus Hailstork, Virginia Symphony Orchestra, Joann Falletta | D Minor | 0 | 7A | 172 BPM | ||
| Aquarelle: II. Valseana | Sérgio Assad, Pedro Aguiar | D Major | 1 | 10B | 77 BPM | ||
| Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction | Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest | D Major | 1 | 10B | 99 BPM | ||
| The Blue Mountains | Sally Greenaway, Graham Ross, Royal College of Music Symphony Orchestra | A Minor | 1 | 8A | 91 BPM | ||
| The Kingdom, Op. 51, Part V. The Upper Room: The voice of joy is in the dwelling of the righteous (The Disciples, Holy Women) | Edward Elgar, Richard Hickox, London Symphony Orchestra, Roderick elms, London Symphony Chorus | F Major | 2 | 7B | 83 BPM | ||
| Symphonic Dances, Op. 64: II. Allegretto grazioso (Arr. for Orchestra by John Rutter) | Edvard Grieg, John Rutter, Manchester Camerata | A Major | 1 | 11B | 101 BPM |