On February 1, 1996, the song "National Permit" was released by Bijli Rani. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Bijli Rani's "Gaadi No.11" album is number 7 out of 10. On top of that, India appears to be the country where this track was created. Based on our statistics, National Permit's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of National Permit by Bijli Rani to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tore Baje Paijana Bake | Raju Patel | B Minor | 7 | 10A | 145 BPM | ||
| Laika Hoi Computer Se | Bikki Bahar, Bijli Rani | E Major | 8 | 12B | 90 BPM | ||
| Sui Ganthwaai Le Phulesari Peeche Se | Byas Naresh Kumar Yadav, Bijli Rani, Kiran Rani | C Major | 5 | 8B | 80 BPM | ||
| Ae Ho Ka Ho Sunab Ki Na Ho | Bijli Rani, Dabbu Shukla, Rekha Rani | B♭ Minor | 7 | 3A | 78 BPM | ||
| Ranubai Ki Duliri | Vaishali Sen, Sangeeta Gangrade | G Major | 7 | 9B | 128 BPM | ||
| Chhepi Joro Mero Yaar Pahadan Manh Bhaderwahi Song | Mool Raj Misher | F Minor | 6 | 4A | 103 BPM | ||
| Jagdamba Ahi Avlamab Humar | Kunj Bihari Mishr | B♭ Major | 7 | 6B | 84 BPM | ||
| Lajjate Gam Bada Dijiye | Bijli Rani | B♭ Major | 7 | 6B | 110 BPM | ||
| Pedvo Ke Saath Chhod Dela Patiyaa | Radhe Shyam Rasiya | E♭ Minor | 7 | 2A | 167 BPM | ||
| Beetal Jaataa Mile Ke | Vishnu Ojha | A Major | 5 | 11B | 150 BPM | ||
| Dhani Lakhanwadi La Ekda Ja Ho Ja | padmini sathe | F♯ Major | 8 | 2B | 159 BPM | ||
| Chal Ho Shahna (Shaktiwale Gaulan) | Prakash Pajane, Madhukar Yadav | D♭ Minor | 9 | 12A | 84 BPM | ||
| Kan Kan Su Gunje Jay Jay Rajasthan | Prakash Mali | B♭ Minor | 7 | 3A | 87 BPM | ||
| Chaar Din Ke Jinagi | Gopal Rai | A♭ Major | 6 | 4B | 77 BPM | ||
| Piya More Bohot Nadan Baa | Bijli Rani | E Minor | 6 | 9A | 160 BPM | ||
| Piya Main To Basanti Bayaar | MANOJ TIWARI | G Major | 6 | 9B | 116 BPM | ||
| SHIVARAYANCHYA MULA UBHI AAJ DEVALA | Vikas Lambore | F♯ Major | 9 | 2B | 105 BPM | ||
| Chhod Ke Parhal Ae Sanwaru | Gopal Rai | F♯ Major | 10 | 2B | 145 BPM | ||
| Bahkela Manwa | Pawan Singh | F♯ Minor | 6 | 11A | 99 BPM | ||
| Jado Ji Se Manglu Joranva | Guddu Rangila | D♭ Major | 6 | 3B | 110 BPM | ||
| Kahe Karelu Hamke Badnam Jahe Tahe | Manish Samrat | E♭ Minor | 8 | 2A | 138 BPM | ||
| Jive Jaani | Fozia Soomro | F♯ Minor | 6 | 11A | 95 BPM | ||
| Jawan Baat Ba Sawarko Me U Gor Ka Kari | Amit Upadhyay | F Minor | 7 | 4A | 151 BPM | ||
| Dil Lagi Jo Kar Qadar | Fozia Soomro | B Major | 5 | 1B | 111 BPM | ||
| Nain Sa Nain Milal | Kunj Bihari Mishr, Mithla Ratan | F♯ Major | 7 | 2B | 104 BPM |