"The Rite of Spring, Part 2: VI. Sacrificial Dance" by Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra had its release date on October 20, 2017. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Rite of Spring". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Rite of Spring, Part 2: VI. Sacrificial Dance's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Rite of Spring, Part 2: VI. Sacrificial Dance by Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto - Live | Dmitri Shostakovich, Emerson String Quartet | G Major | 4 | 9B | 135 BPM | ||
| The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Game of Abduction (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | F Major | 6 | 7B | 115 BPM | ||
| Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| The Rite of Spring, Part 1: IV. Spring Rounds | Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Minor | 0 | 3A | 90 BPM | ||
| Symphony No. 3 in D Major, Op. 29 "Polish": III. Andante elegiaco | Pyotr Ilyich Tchaikovsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | G Minor | 1 | 6A | 105 BPM | ||
| Prélude to the Afternoon of a Faun | Claude Debussy, Hanspeter Gmür, Nuremberg Symphony Orchestra | C Major | 9 | 8B | 85 BPM | ||
| Dance of the Pagans (Orch. M.J. Saliba) | Mark John McEncroe, Janáček Philharmonic Orchestra, Anthony Armoré | F Minor | 2 | 4A | 84 BPM | ||
| The Miraculous Mandarin Suite, Op. 19: VI. Chase | Béla Bartók, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel | D Major | 2 | 10B | 129 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi, Czech Philharmonic | C Minor | 1 | 5A | 79 BPM | ||
| Petrushka: The Shrove-Tide Fair | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | ||
| Pines of Rome, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | F Major | 3 | 7B | 102 BPM | ||
| Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Enigma Variations: Variation XIV. E.D.U - Allegro | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Major | 2 | 9B | 88 BPM | ||
| Tales of the Magic Tree: IV. Spider Knows His Craft | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | D Minor | 2 | 7A | 120 BPM | ||
| Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
| Devil’s Trill Sonata - Live | Fritz Kreisler, Giuseppe Tartini, Yoon Soyoung, Eliane Reyes | G Minor | 1 | 6A | 101 BPM | ||
| Scythian Suite, Op. 20 - "Ala and Lolly": II. The Enemy God and the Dance of the Spirits of Darkness | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 118 BPM | ||
| Dance of the goblins | Razvan Stoica | C Major | 4 | 8B | 177 BPM | ||
| Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: The Fight | Sergei Prokofiev, André Previn, London Symphony Orchestra | E Minor | 4 | 9A | 77 BPM | ||
| La mer, CD 111: II. Jeux de vagues | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 114 BPM | ||
| Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
| Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A Minor | 5 | 8A | 127 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
| Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo Philharmonic Orchestra, Oslo-Filharmonien | A Minor | 2 | 8A | 63 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | E Major | 2 | 12B | 76 BPM |