Dies natalis: Cantata for high voice and strings Op. 8: Intrada by Gerald Finzi, Vernon Handley, Nicholas Daniel, Rebecca Evans, Michael George, Toby Spence Song Details

"Dies natalis: Cantata for high voice and strings Op. 8: Intrada" by Gerald Finzi, Vernon Handley, Nicholas Daniel, Rebecca Evans, Michael George, Toby Spence had its release date on December 31, 1995. This song is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 1 out of 16 in Finzi: Dies Natalis & c. by Gerald Finzi, Vernon Handley. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Dies natalis: Cantata for high voice and strings Op. 8: Intrada is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Dies natalis: Cantata for high voice and strings Op. 8: Intrada by Gerald Finzi, Vernon Handley, Nicholas Daniel, Rebecca Evans, Michael George, Toby Spence is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Music Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -25.954 dB
Acousticness: 97%
Danceability: 9%
Energy: 3%
Instrumentalness: 0%
Liveness: 8%
Loudness: 57%
Speechiness: 4%
Valence: 4%

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