- BPM
- 76
- Key
- G Major
- Camelot
- 9B
Before and after Summer by Gerald Finzi, Roderick Williams, Iain Burnside Song Details
"Before and after Summer" by Gerald Finzi, Roderick Williams, Iain Burnside had its release date on May 1, 2005. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Before and after Summer's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 21 in Finzi: I Said To Love / Let Us Garlands Bring / Before and After Summer (English Song, Vol. 12) by Gerald Finzi. Before and after Summer is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of Before and after Summer by Gerald Finzi, Roderick Williams, Iain Burnside is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -24.556 dB
- Acousticness
- 99%
- Danceability
- 40%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 10%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 4, Forlana. Allegretto grazioso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F♯ Major | 1 | 2B | 96 BPM | |
 | Andante Festivo JS 34b - Live | Jean Sibelius, Yamagata Symphony Orchestra, Chiaki Murakawa | G Major | 1 | 9B | 77 BPM | |
 | Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante (Orch. Marriner) | Alexander Borodin, Sir Neville Marriner, Academy of St. Martin in the Fields, Denis Vigay, Kenneth Sillito | A Major | 1 | 11B | 93 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Romance, Op. 11 | Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult | A♭ Major | 1 | 4B | 82 BPM | |
 | Suite from The Victorian Kitchen Garden: III. Mists | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | G Minor | 0 | 6A | 66 BPM | |
 | Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | |
| Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | |
 | Serenade for Orchestra | William Grant Still, Royal Scottish National Orchestra, Avlana Eisenberg | A Major | 1 | 11B | 77 BPM | |
 | Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 60 BPM | |
 | Prélude à l'après-midi d'un faune, CD 87a | Claude Debussy, The Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 75 BPM | |
 | Adoration | Florence Beatrice Price, Randall Goosby, Zhu Wang | D Major | 1 | 10B | 75 BPM | |
 | Japanese Suite, Op. 33, H. 126: V. Dance Under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | |
 | Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | |
 | 4 Préludes: III. La Fille aux cheveux de lin, L. 117 No. 8 - Arr. for Viola and Piano by Roger Benedict | Claude Debussy, Roger Benedict, Simon Tedeschi | G Major | 0 | 9B | 77 BPM | |
 | Quiet City | Aaron Copland, Celia Nicklin, Michael Laird, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 70 BPM | |
 | Before and after Summer | Gerald Finzi, Roderick Williams, Iain Burnside | G Major | 0 | 9B | 76 BPM | |
 | Momentum: Dance | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | |
 | Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | |
 | Lloyd Webber: The Gardens at Eastwell "A Late Summer Impression" (Arr. Soudoplatoff for Violin and Strings) | William Lloyd Webber, Vilde Frang, Robin Ticciati, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 99 BPM | |
 | Sarabande and Courante from Auf meinen lieben Gott, BuxWV 179 (Arr. Leopold Stokowski) | Dietrich Buxtehude, Matthias Bamert, BBC Philharmonic, Cynthia Millar | E Major | 2 | 12B | 118 BPM | |
 | Pan Voyevoda, Op. 59: III. Nocturne: Clair de lune | Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin | E♭ Major | 1 | 5B | 138 BPM | |
 | Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | |
 | Holberg Suite, Op. 40: IV. Air (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Minor | 0 | 6A | 84 BPM | |
 | Scottish Rhapsody | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | D♭ Major | 2 | 3B | 142 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records