"Chapter 156 - The Future" by Catherine Leroux, Karie Richards had its release date on January 16, 2024. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 195 in the song's album "The Future (Unabridged)". In this album, this song's track order is #156. Furthermore, we believe that the track originated from Germany. Chapter 156 - The Future is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chapter 156 - The Future by Catherine Leroux, Karie Richards having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trumpet Sonata: II. Adagio molto cantabile | Karl Pilss, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | E Minor | 0 | 9A | 76 BPM | ||
| Kaleidoscope, Op. 18: Nos. 1-3: Good Morning; Promenade; the Hurdy Gurdy Man - Duo-Art D906 | Eugene Goossens, Peter Phillips | C Major | 1 | 8B | 66 BPM | ||
| Phalanx Suite: Prolog | R.Kuhn, Rüdiger Edgar Kuhn | F Major | 2 | 7B | 96 BPM | ||
| Tabby Suite: Nocturne | Josh Taylor | E Minor | 0 | 9A | 76 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | E Minor | 0 | 9A | 76 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | E Minor | 0 | 9A | 76 BPM | ||
| Violin Sonata in A Minor: III. Minuetto | Sergei Taneyev, Boris Brovtsyn, Eldar Nebolsin | C Major | 0 | 8B | 58 BPM | ||
| Ciudades: I. Córdoba | Guillermo Lago, Fukio Ensemble | E Minor | 6 | 9A | 130 BPM | ||
| Légende Op. 66 | Florent Schmitt, Catherine Leroux, Louis-Philippe Bonin | G Minor | 1 | 6A | 67 BPM | ||
| Concertino da camera: I. Allegro con moto | Jacques Ibert, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | F Major | 1 | 7B | 69 BPM | ||
| Sea-Weed Song, Op. 12c | Ruth Gipps, Juliana Koch, Michael McHale | C Minor | 0 | 5A | 77 BPM | ||
| Clarinet Sonata in E-Flat Major, Op. 167, R. 147: III. Lento | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | D Major | 1 | 10B | 83 BPM | ||
| Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou | Nikolas Eleftheriou | F♯ Minor | 1 | 11A | 67 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): III. Variation II | Saverio Mercadante, Claudio Ferrarini | E Minor | 0 | 9A | 76 BPM | ||
| Piano Concerto No. 6, Op. 74: II. Larghetto | Nikolai Kapustin, Frank Dupree, The SWR Big Band, Jakob Krupp, Meinhard Jenne, Dominik Beykirch | B♭ Major | 1 | 6B | 118 BPM | ||
| Romanze F Minor: Romanze F Minor | Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner | F Minor | 0 | 4A | 166 BPM | ||
| Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 111 BPM | ||
| La fille aux cheveux de lin [The Girl with the Flaxen Hair]: (Debussy) | Joseph Alessi | F Major | 0 | 7B | 69 BPM | ||
| L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | ||
| Beau soir, CD 84 (Arr. Haginomori for Flute and Piano) | Claude Debussy, Cocomi, Niu Niu | E Major | 0 | 12B | 67 BPM | ||
| Birds Leaving the Earth | Mia Brentano, Benyamin Nuss, Billy Test | G Major | 4 | 9B | 111 BPM | ||
| Oscher: Rapsodia latina: I. Guajira | Efraín Oscher, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | D Minor | 2 | 7A | 78 BPM | ||
| Suite from "The Victorian Kitchen Garden": II. Spring. Allegretto | Paul Reade, Michael Collins, Michael McHale | G Minor | 0 | 6A | 65 BPM | ||
| Un Soir a Saint-Emilion | Christopher Millard, Kenneth Broadway, piano | F♯ Major | 0 | 2B | 67 BPM |