"Two Dialogues with Postscript: II. Postlude" by Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg had its release date on September 29, 2022. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Valentin Silvestrov, Hélène Grimaud's "Hélène Grimaud plays Valentin Silvestrov" album is number 5 out of 7. On top of that, Germany appears to be the country where this track was created. Two Dialogues with Postscript: II. Postlude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Two Dialogues with Postscript: II. Postlude by Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eggshell | Elena Kats-Chernin, Tamara Anna Cislowska | B Minor | 0 | 10A | 83 BPM | ||
| Trois morceaux après des hymnes byzantins: III | Vassilis Tsabropoulos, Anja Lechner | D Minor | 0 | 7A | 128 BPM | ||
| Dichterliebe, Op. 48, Arr. for Cello and Piano: I. im wunderschönen Monat Mai | Robert Schumann, Jan Vogler, Hélène Grimaud | F Minor | 1 | 4A | 82 BPM | ||
| Préludes / Book 1, L. 117: 10. La cathédrale engloutie | Claude Debussy, Hélène Grimaud | D Minor | 0 | 7A | 62 BPM | ||
| Threads Of Grey Velvet | Elena Kats-Chernin, Tamara Anna Cislowska | B♭ Major | 1 | 6B | 63 BPM | ||
| Franck: / Transc. Bauer: Prélude, Fugue et Variation, Op. 18, CFF 30B (transcr. H. Bauer) – Prélude: Andantino | César Franck, Mariam Batsashvili | B Minor | 1 | 10A | 85 BPM | ||
| Melancholy Theme in D Minor | Milenna Jovic | C Minor | 0 | 5A | 98 BPM | ||
| 4 Postludes for Piano & String Orchestra: No. 2, Moderato, con moto poco rubato | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | C Major | 0 | 8B | 81 BPM | ||
| Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | A Minor | 0 | 8A | 65 BPM | ||
| 24 Preludes and Fugues, Op. 87: Prelude No. 7 in A Major | Dmitri Shostakovich, Igor Levit | A Major | 0 | 11B | 69 BPM | ||
| Stair Echoes | Alexandra Hamilton-Ayres, Her Ensemble | E Major | 2 | 12B | 171 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon | Antonín Dvořák, Edgar Moreau, Jérémie Moreau | F♯ Major | 0 | 2B | 138 BPM | ||
| Variation VI Aria in Black | Arash Safaian, Ludwig van Beethoven, Sebastian Knauer, Zürcher Kammerorchester | B♭ Minor | 1 | 3A | 64 BPM | ||
| Fantasiestücke op. 73: I. Zart und mit Ausdruck | Robert Schumann, Jan Vogler, Hélène Grimaud | D Minor | 3 | 7A | 118 BPM | ||
| Bagatellen: VII | Valentin Silvestrov | D♭ Major | 0 | 3B | 67 BPM | ||
| Le rossignol éperdu, Série 1: IV. Le banc songeur | Reynaldo Hahn, Anne Queffélec | D Major | 0 | 10B | 141 BPM | ||
| China Gates | John Adams, James McVinnie | E♭ Minor | 1 | 2A | 151 BPM | ||
| Kitsch-Musik: I. Allegro vivace | Valentin Silvestrov, Elisaveta Blumina | F♯ Minor | 0 | 11A | 143 BPM | ||
| Preludes, Op. 28: No. 15, Sostenuto in D-Flat Major | Frédéric Chopin, Justin Taylor | D♭ Major | 0 | 3B | 72 BPM | ||
| Sospiri, Op. 70: Sospiri, Op. 70 (Arr. for Violin and Piano) | Edward Elgar, Janine Jansen, Antonio Pappano | F Major | 1 | 7B | 89 BPM | ||
| Improvisation No. 3 | Gabriela Montero | D Major | 2 | 10B | 113 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Suite for 2 Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Lucas Jussen, Arthur Jussen | A♭ Major | 0 | 4B | 88 BPM | ||
| Two Dialogues with Postscript: I. Wedding Waltz | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | D♭ Minor | 1 | 12A | 164 BPM | ||
| Harpsichord Sonata No. 18: Cantabile (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM |