"Scheherazade, Op. 35: II. The Tale of The Kalendar Prince" by Nikolai Rimsky-Korsakov, Vasily Petrenko, Oslo Philharmonic Orchestra had its release date on May 22, 2020. This song appears to be safe for all ages as it is not explicit. There are a total of 10 in the song's album "Nikolay Rimsky-Korsakov: Capriccio Espagnol, Op. 34, Russian Easter Festival Overture, Op. 36 & Scheherazade, Op. 35". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Norway. Based on our statistics, Scheherazade, Op. 35: II. The Tale of The Kalendar Prince's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherazade, Op. 35: II. The Tale of The Kalendar Prince by Nikolai Rimsky-Korsakov, Vasily Petrenko, Oslo Philharmonic Orchestra having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 10 Pieces, Op. 12: No. 7, Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 76 BPM | ||
| The Lost Composers (Fortissima) | Rebecca Dale, Raphaela Gromes, Deutsches Symphonie-Orchester Berlin, Anna Rakitina | F Minor | 1 | 4A | 110 BPM | ||
| Symphony No. 5 in D Major, Op. 107, MWV N 15 "Reformation": III. Andante | Felix Mendelssohn, National Symphony Orchestra Of Ireland, Reinhard Seifried | G Minor | 0 | 6A | 91 BPM | ||
| Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
| Montgomery Variations: IV. Dawn in Dixie | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Minor | 0 | 7A | 168 BPM | ||
| Sun Triptych: II. Day | Dobrinka Tabakova, Roman Mints, Kristine Blaumane, BBC Concert Orchestra | D Major | 3 | 10B | 76 BPM | ||
| Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM | ||
| L'Arlésienne Suite No.2: Farandole | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 4 | 10B | 85 BPM | ||
| Lieutenant Kijé Suite, Op. 60: II. Romance | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 109 BPM | ||
| Capriccio Espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Vasily Petrenko, Oslo Philharmonic Orchestra | A Major | 2 | 11B | 129 BPM | ||
| Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | E Major | 0 | 12B | 81 BPM | ||
| Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
| Carmen Concert Fantasy, Op. 25: V. Moderato - Animato | Pablo de Sarasate, Tianwa Yang, Orquesta Sinfónica de Navarra, Ernest Martinez Izquierdo | D Major | 1 | 10B | 157 BPM | ||
| Consolations, S. 172: No. 3 Lento placido in D Flat Major (Transcr. Milstein for Violin and Piano) | Franz Liszt, Bomsori, Rafał Blechacz | D♭ Major | 1 | 3B | 80 BPM | ||
| Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Frühlingslied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | A Major | 1 | 11B | 99 BPM | ||
| Capriccio espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: I. Andante | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | D♭ Major | 0 | 3B | 106 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Prince Igor: Polovtsian Dances (Version for Chorus) | Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 110 BPM | ||
| Mayskaya noch' (May Night): Overture | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
| Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | C Major | 4 | 8B | 91 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
| Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM |