Lata Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal's ' "Woh Jab Yaad Aaye" was released on its scheduled release date, January 1, 1963. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 6 in the song's album "Parasmani". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Woh Jab Yaad Aaye is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Woh Jab Yaad Aaye by Lata Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Zara Si Aahat Hoti Hai (From "Haqeeqat") | Lata Mangeshkar | A♭ Minor | 4 | 1A | 104 BPM | ||
| Jeevan Chalne Ka Naam | Manna Dey, Mahendra Kapoor, Shyama Chittar, Laxmikant–Pyarelal | B♭ Major | 8 | 6B | 84 BPM | ||
| Aawaz Do Humko - Sad | Udit Narayan, Lata Mangeshkar | D Major | 7 | 10B | 136 BPM | ||
| Bahon Mein Chale Aao (From "Anamika") | Tabassum, Lata Mangeshkar | F♯ Major | 3 | 2B | 73 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Tujhe Bhoolna To Chaha Lekin Bhoola Na Paye | Anuradha Paudwal, Nitin Mukesh | D Major | 4 | 10B | 117 BPM | ||
| Bade Achhe Lagte Hain | Amit Kumar | F♯ Major | 2 | 2B | 140 BPM | ||
| Lo Aa Gayi Unki Yaad | Lata Mangeshkar | F♯ Minor | 4 | 11A | 94 BPM | ||
| Main Pal Do Pal Ka Shair Hoon With Dialogue By Amitabh | Amitabh Bachchan, Mukesh | F Major | 4 | 7B | 129 BPM | ||
| Aaj Phir Tum Pe | Pankaj Udhas, Anuradha Paudwal | B♭ Minor | 6 | 3A | 88 BPM | ||
| Jate Huye Ye Pal Chhin Kyon | Ravindra Jain | B Minor | 6 | 10A | 93 BPM | ||
| Ab To Jee Hone Laga | Shamshad Begum | E♭ Major | 6 | 5B | 132 BPM | ||
| Tumhen Ho Na Ho | Runa Laila | D♭ Major | 5 | 3B | 87 BPM | ||
| Saudagar Sauda Kar | Manhar Udhas, Kavita Krishnamurthy, Sukhwinder Singh, Laxmikant–Pyarelal | A Major | 6 | 11B | 143 BPM | ||
| Raina Beeti Jaye - With Dialogues | Rajesh Khanna, Lata Mangeshkar, R. D. Burman | F♯ Major | 4 | 2B | 90 BPM | ||
| Ka Karoon Sajni Guitar | Sunil Ganguly | G Minor | 4 | 6A | 114 BPM | ||
| Meri Yaad Mein Tum Na Ansoo Bahana | Talat Mahmood | G Minor | 3 | 6A | 142 BPM | ||
| Mere Piya Gaye Rangoon | Shamshad Begum, C. Ramchandra | D Major | 7 | 10B | 143 BPM | ||
| Tasveer Teri Dil Mein | Lata Mangeshkar, Mohammed Rafi, Salil Chowdhury | A♭ Minor | 3 | 1A | 112 BPM | ||
| Kyon Hawa | Madan Mohan, Yash Chopra, Lata Mangeshkar, Javed Akhtar | A Major | 5 | 11B | 147 BPM | ||
| Tum Agar Saath Dene Ka Vada Karo | Mahendra Kapoor | B Major | 3 | 1B | 149 BPM | ||
| Hum Tere Bin Kahin Reh Nahin Paate | Anuradha Paudwal, Manhar Udhas | A Minor | 5 | 8A | 126 BPM | ||
| Baharon Se Poochho | Hemant Kumar, Lata Mangeshkar | D♭ Major | 2 | 3B | 144 BPM | ||
| Din Pyar Ke Aayenge Sajania | R. D. Burman, Lata Mangeshkar | A♭ Major | 7 | 4B | 138 BPM | ||
| Mujhe Teri Mohabbat Ka Sahara | Mohammed Rafi, Lata Mangeshkar, Laxmikant–Pyarelal | C Minor | 5 | 5A | 82 BPM |