Ricky Ian Gordon's 'White Haired Woman' had a release date set for April 20, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 16 in A Horse With Wings. Ricky Ian Gordon Sings Ricky Ian Gordon by Ricky Ian Gordon. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. White Haired Woman is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of White Haired Woman by Ricky Ian Gordon is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Floyd: Susannah, Act 2 Scene 3: "The trees on the mountains are cold" (Susannah) | Carlisle Floyd, Kate Royal, Edward Gardner, English National Opera Orchestra | G Minor | 1 | 6A | 65 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 2: "Mir ist die Ehre widerfahren" | Richard Strauss, Barbara Bonney, Susan Graham, Wiener Philharmoniker, Christoph Eschenbach | F♯ Major | 1 | 2B | 78 BPM | ||
| Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
| Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
| You'll Never Walk Alone | Renée Fleming | C Major | 2 | 8B | 79 BPM | ||
| That'll Show Him | Preshy Marker | C Major | 2 | 8B | 125 BPM | ||
| This Is All Very New To Me | Barbara Cook, Original Broadway Cast 'Plain And Fancy' | D♭ Major | 3 | 3B | 135 BPM | ||
| The Eternal Road, Act III, the Kings, Scene 24 (cont.): Ruth and Boaz | Kurt Weill, Sigurd Brauns, Ted Christopher, Ian DeNolfo, Karl Dent, Constance Hauman, James Maddalena, Barbara Rearick, Vale Rideout, Manfred Roost, Hanna Wollschlager, Ernst Senff Chor Berlin, Berlin Radio Children's Choir, Rundfunk-Sinfonieorchester Ber | F Major | 2 | 7B | 127 BPM | ||
| Street Scene: Lonely House | Kurt Weill, Brian Sullivan, Maurice Abravanel | A♭ Major | 3 | 4B | 88 BPM | ||
| Dry Blue Night / We Can Be Quiet / Rest Peaceful, Mama/Septet: Dry Blue Night | The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie | A♭ Major | 2 | 4B | 80 BPM | ||
| Strange Hurt | Ricky Ian Gordon, Nicole Cabell | E♭ Major | 1 | 5B | 78 BPM | ||
| Vergin, tutto amor | Francesco Durante, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
| La Rondine: Chi il bel sogno di Doretta | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma | G Major | 0 | 9B | 85 BPM | ||
| 21. Braid the raven hair, Weave the supple tresses | Arthur Sullivan, Peggy Ann Jones, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | B♭ Major | 1 | 6B | 141 BPM | ||
| Marta | Anthony Crivello, Keith McDaniel, Robert Montano, Dan O'Grady, Raymond Rodriguez, John Norman Thomas, Joshua Finkel, Gary Schwartz, Jerry Christakos, Aurelio Padron | D♭ Major | 1 | 3B | 57 BPM | ||
| 2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
| ‘I Am Cherry Alive’ | Melanie Helton, Ricky Ian Gordon | C Major | 2 | 8B | 135 BPM | ||
| A Dream | Rebecca Clarke, Sivan Goldman, Shira Shaked | E♭ Major | 1 | 5B | 68 BPM | ||
| White Haired Woman | Ricky Ian Gordon, Clare Gormley, Kevin Murphy | D Major | 1 | 10B | 82 BPM | ||
| Palomma 'e notte | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | F Major | 2 | 7B | 89 BPM | ||
| The Music Still Plays On | William Finn, Penny Fuller, Ted Sperling | G Major | 1 | 9B | 83 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Harlem Night Song | Ricky Ian Gordon, Nicole Cabell | D Minor | 3 | 7A | 89 BPM | ||
| Chansons pour les oiseaux: No. 3, L'oiseau bleu | Louis Beydts, Julie Roset, Susan Manoff | G Major | 6 | 9B | 103 BPM |