Stan and Mabel: 11. Houston The Horse - Music-only version by Adelaide Symphony Orchestra, Benjamin Northey Song Details

"Stan and Mabel: 11. Houston The Horse - Music-only version" by Adelaide Symphony Orchestra, Benjamin Northey had its release date on February 16, 2018. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 42 in the song's album "Stan and Mabel". In this album, this song's track order is #32. In terms of popularity, Stan and Mabel: 11. Houston The Horse - Music-only version is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Stan and Mabel: 11. Houston The Horse - Music-only version by Adelaide Symphony Orchestra, Benjamin Northey having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -15.937 dB
Acousticness: 95%
Danceability: 37%
Energy: 8%
Instrumentalness: 97%
Liveness: 17%
Loudness: 73%
Speechiness: 4%
Valence: 19%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Lark Ascending	Ralph Vaughan Williams, Nicholas Cleobury, Pauline Lowbury, Britten Sinfonia	E Minor	1	9A	58 BPM
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Suite Bergamasque, L. 75: 3. Clair de lune (Arr. Henry Krips)	Henry Krips, Claude Debussy, Adelaide Symphony Orchestra, Ron Spigelman	G Major	0	9B	92 BPM
Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason	Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields	B♭ Major	4	6B	113 BPM
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio	Johann Sebastian Bach, Hilary Hahn	A Major	3	11B	126 BPM
The Tale of Tsar Saltan: The Flight of the Bumblebee (Arr. for Flute and Orchestra)	Nikolai Rimsky-Korsakov, James Galway, Charles Gerhardt, National Philharmonic Orchestra	E Minor	2	9A	102 BPM
Concerto for Flute, Harp and Orchestra in C Major, K. 299: 2. Andantino	Wolfgang Amadeus Mozart, Geoffrey Collins, Suzanne Handel, Adelaide Symphony Orchestra, Arvo Volmer	F Major	1	7B	101 BPM
Concertante Suite for tuba and four horns: IV. Alla marcia	Christer Danielsson, Nelson Green, Peter Whish-Wilson, Philip Hall, Philip Paine, Sarah Galbraith, David Stanhope, Adelaide Symphony Orchestra	E♭ Major	1	5B	129 BPM
Underneath the Stars	Herbert Spencer, Charlie Siem, Munich Radio Orchestra, Paul Goodwin	E♭ Major	1	5B	100 BPM
The Mission: Gabriel's Oboe	Ron Spigelman, Adelaide Symphony Orchestra	D Major	1	10B	80 BPM
Ballet Suite No. 1 (arr. L. Atovmyan): Lyric Waltz (Suite for Jazz Orchestra No. 1)	Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky	E♭ Major	2	5B	103 BPM
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down	Aaron Copland, Buffalo Philharmonic Orchestra	G Major	3	9B	125 BPM
The Mikado or The Town of Titipu, Act I: 8. As Someday It May Happen That A Victim...	Arthur Sullivan, Adelaide Symphony Orchestra, Dennis Olsen, James Christiansen, The Corinthian Singers Festival Chorus	B♭ Major	6	6B	116 BPM
Four Songs, Op. 2: 2. The Nightingale and the Rose	Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman	B Minor	0	10A	87 BPM
Celtic Concerto: 2. Hiraeth	Catrin Finch, Sinfonia Cymru, John Rutter	B♭ Minor	1	3A	62 BPM
El amor brujo: Ritual Fire Dance	Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra	G Major	1	9B	134 BPM
Variations on an Original Theme, Op. 36 "Enigma": Variation No. 9 "Nimrod"	Edward Elgar, Adelaide Symphony Orchestra, David Stanhope	E♭ Major	1	5B	89 BPM
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio	Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden	D Major	0	10B	93 BPM
Symphony No. 3, "Pastoral Symphony": II. Lento moderato	Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels	G Minor	0	6A	88 BPM
Tchaikovsky: Eugene Onegin, Op. 24, Act 3: Polonaise	Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia	G Major	2	9B	98 BPM
Concerto for Harp and Orchestra, Op. 74: 1. Allegro moderato	Reinhold Glière, Alice Giles, Adelaide Symphony Orchestra, David Porcelijn	B♭ Minor	2	3A	165 BPM
Dawn Mantras	Ross Edwards, Brian Nixon, Ian Cleworth, Jane Sheldon, Jim Franklin, Metthew Doyle, Rixon Thomas, Lyn Williams	F Major	1	7B	83 BPM
Brandenburg Concerto No. 3 in G major, BWV 1048: III. Allegro	Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr	F Major	4	7B	117 BPM
Willow Bend	Andrew Schultz, Adelaide Symphony Orchestra, Ron Spigelman	A Minor	0	8A	74 BPM
Carnival of the Animals: Finale	Georgie Parker, Jay Laga'aia, Justine Clarke, Adelaide Symphony Orchestra, David Stanhope	C Major	2	8B	95 BPM