Colin Matthews, London Symphony Orchestra, François-Xavier Roth's 'Panufnik Variations: Variation 1' had a release date set for April 1, 2016. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 27 in the song's album "The Panufnik Legacies II". In this album, this song's track order is #2. Based on our statistics, Panufnik Variations: Variation 1's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Panufnik Variations: Variation 1 by Colin Matthews, London Symphony Orchestra, François-Xavier Roth having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Preludes arranged for Orchestra, Book I L. 117: No. 10 La cathédrale engloutie (Arr. Colin Matthews) | Claude Debussy, Colin Matthews, Hallé, Sir Mark Elder | B Major | 1 | 1B | 63 BPM | ||
| Symphony No. 2, Op. 132, "Mysterious Mountain": III. Andante espressivo | Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz | C Major | 0 | 8B | 78 BPM | ||
| El sombrero de tres picos, Pt. 2: I. Danza de los vecinos | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 100 BPM | ||
| Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
| Ein Heldenleben, Op. 40, TrV. 190: Des Helden Friedenswerke | Richard Strauss, Wiener Philharmoniker, Christian Thielemann, Rainer Honeck | D Major | 1 | 10B | 56 BPM | ||
| Billy the Kid Suite: V. Gun Battle | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Minor | 4 | 8A | 166 BPM | ||
| Schoenberg: 5 Orchestral Pieces, Op. 16: No. 1 Vorgefühle (Forebodings) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 3 | 3B | 75 BPM | ||
| Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 103 BPM | ||
| Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst | C Major | 0 | 8B | 105 BPM | ||
| Lieutenant Kijé Suite, Op. 60: I. Birth of Kijé | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | F Major | 1 | 7B | 143 BPM | ||
| Quatrain: Section 3 | Colin Matthews, London Symphony Orchestra, Michael Tilson Thomas | G Major | 2 | 9B | 73 BPM | ||
| Piano Concerto No. 1, BB 91, Sz. 83: II. Andante | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
| 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | ||
| The Prince of the Pagodas - Ballet in three acts Op. 57, Act II, Scene 1: The Strange Journey of Belle Rose to the Pagoda Land: Variation (Fish Creatures) (Helen Tunstall, harp; Joy Farrall, clarinet) | Benjamin Britten, London Sinfonietta, Oliver Knussen | D Major | 1 | 10B | 150 BPM | ||
| Preludes arranged for Orchestra, Book I L. 117: No.9 La sérénade interrompue (Arr. Colin Matthews) | Claude Debussy, Colin Matthews, Hallé, Sir Mark Elder | B♭ Minor | 0 | 3A | 68 BPM | ||
| The Red Pony Suite: I. Morning on the Ranch | Aaron Copland, New Philharmonia Orchestra | F Major | 2 | 7B | 76 BPM | ||
| Song for Orchestra, Op. 33 | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 64 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
| Brian: Symphony No. 7 in C Major: I. Allegro moderato | Havergal Brian, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | C Major | 1 | 8B | 81 BPM | ||
| Preludes arranged for Orchestra, Book II L. 123: No.12 Feux d’artifice (Arr. Colin Matthews) | Claude Debussy, Colin Matthews, Hallé, Sir Mark Elder | G Major | 0 | 9B | 128 BPM | ||
| Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher (the Hero's Enemies) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | G Major | 0 | 9B | 84 BPM | ||
| Pictures at an Exhibition: II. Il vecchio castello | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 86 BPM | ||
| Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 98 BPM | ||
| Sonata No. 5, Op. 17 "Landscape": IIIc. — | Colin Matthews, Rundfunk Sinfonieorchester Berlin, John Carewe | B♭ Major | 3 | 6B | 67 BPM | ||
| Fastnachts-Sinfonie: Tranquillo non troppo sostenuto (1) | Richard Flury, BBC Symphony Orchestra, Paul Mann | C Major | 1 | 8B | 81 BPM |