Cello Concerto No. 2: II. Scherzo. Allegro by Henriëtte Bosmans, Raphael Wallfisch, BBC Scottish Symphony Orchestra, Ed Spanjaard Song Details

Henriëtte Bosmans, Raphael Wallfisch, BBC Scottish Symphony Orchestra, Ed Spanjaard's 'Cello Concerto No. 2: II. Scherzo. Allegro' had a release date set for June 19, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 7 in Bosmans: Cello Concertos Nos. 1 & 2 & Poème by Henriëtte Bosmans, Raphael Wallfisch, BBC Scottish Symphony Orchestra, Ed Spanjaard. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Cello Concerto No. 2: II. Scherzo. Allegro is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Cello Concerto No. 2: II. Scherzo. Allegro by Henriëtte Bosmans, Raphael Wallfisch, BBC Scottish Symphony Orchestra, Ed Spanjaard is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.

Music Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -26.225 dB
Acousticness: 94%
Danceability: 12%
Energy: 6%
Instrumentalness: 77%
Liveness: 16%
Loudness: 56%
Speechiness: 4%
Valence: 25%

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