On February 2, 1994, the song "Man Tarse Dekhat Joban" was released by Bijli Rani, Rekha. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Chadhte Phagunwa by Bijli Rani, Rekha Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Man Tarse Dekhat Joban is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Man Tarse Dekhat Joban by Bijli Rani, Rekha is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maithili Vivah Parichin Geet | Kumkum Mishra | B♭ Minor | 8 | 3A | 150 BPM | ||
| Saach Kahi Hum Dilwa Ke Batiya | Bijli Rani | B♭ Major | 8 | 6B | 91 BPM | ||
| Lok Jee Marhan Mariyo | Fozia Soomro | F♯ Minor | 6 | 11A | 95 BPM | ||
| Bala Tu Hai Anjani Ka Lala (Aarti) | Ram Kumar Lakkha | E Minor | 9 | 9A | 105 BPM | ||
| Mor Kheti Khaar | Laxman Masturiya, Kavita Vasnik | D Minor | 8 | 7A | 88 BPM | ||
| Kalindar Ke Beeja | Nilkamal Vaishnav | E♭ Major | 9 | 5B | 136 BPM | ||
| Nai Jaibe Nai Jaibe (Maithili) | Sharda Sinha, Vandana Sinha | A♭ Major | 6 | 4B | 160 BPM | ||
| O Amar Dayal Re | Gostho Gopal Das | E Major | 3 | 12B | 95 BPM | ||
| Maiya Durga Abiyau Mora Angan Meun | Kunj Bihari Mishr | E Major | 8 | 12B | 100 BPM | ||
| Baire Paire | Mamta Chandarkar | A♭ Major | 9 | 4B | 142 BPM | ||
| Hey Gaura Toharo Sajanwa Na | Kunj Bihari Mishr | A♭ Major | 9 | 4B | 173 BPM | ||
| Ham Mehandi Lagahen Tore Nam Ki | Jittu Khare | D♭ Major | 7 | 3B | 89 BPM | ||
| Baari Umeer Mori | Asha Bhosle | G Major | 9 | 9B | 116 BPM | ||
| Dotara Bajai Ami | Sanajit Mondal | F♯ Major | 4 | 2B | 137 BPM | ||
| Mor Launde Raja | Bijli Rani, Dabbu Shukla, Rekha Rani | E Major | 7 | 12B | 185 BPM | ||
| Ahen Sundar Mithila Dham | Kumkum Mishra | G Major | 8 | 9B | 110 BPM | ||
| Moye Le Gaye Patari Me | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 151 BPM | ||
| Janme Avadh Mein Ram | Prem Prakash Dubey | D♭ Major | 8 | 3B | 105 BPM | ||
| O Tera Ki Lagda Kaali Kamli Wala | Dhiraj Sharma | A♭ Major | 7 | 4B | 175 BPM | ||
| Rama Rama Peer Mhara | Gopal Bajaj | E♭ Minor | 7 | 2A | 134 BPM | ||
| Vari Jau Vahalajine | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Koi Nahi Jaane | Madan Rai | F♯ Major | 4 | 2B | 140 BPM | ||
| Tou Darka Daen Kayyo | Fozia Soomro | B♭ Minor | 5 | 3A | 107 BPM | ||
| খাঁচার ভিতর অচিন পাখী | Rakhi Dasi Baul | C Major | 8 | 8B | 167 BPM | ||
| Bhejle Ba Pitri Ke Pahunchi Nishaan | Madan Rai | F♯ Minor | 5 | 11A | 160 BPM |