"Gabrieli, A: Benedictus Dominus Deus sabaoth (Transcr. for Two Organs with Ornementation)" by Andrea Gabrieli, James O'Donnell, Timothy Roberts had its release date on January 1, 1990. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gabrieli, Paul McCreesh's "Gabrieli: A Venetian Coronation, 1595" album is number 28 out of 29. On top of that, United Kingdom appears to be the country where this track was created. Gabrieli, A: Benedictus Dominus Deus sabaoth (Transcr. for Two Organs with Ornementation) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gabrieli, A: Benedictus Dominus Deus sabaoth (Transcr. for Two Organs with Ornementation) by Andrea Gabrieli, James O'Donnell, Timothy Roberts to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All'imperio d'Amore: 10. Donne le celeste lume a 9 "Stravaganza d'Amore" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | C Major | 2 | 8B | 79 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIk. Magnificat "Gloria Patri" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Samuel Boden, Magdalena Podkościelna, Dominique Verkinderen, Joowon Chung, Chiyuki Okamura, Collegium Vocale Gent | F♯ Minor | 1 | 11A | 75 BPM | ||
| Hacomplaynt: Salve Regina: III. O clemens, o pia, o dulcis | Robert Hacomplaynt, Choir of King's College, Cambridge, Stephen Cleobury | E♭ Minor | 1 | 2A | 68 BPM | ||
| Musikalische Exequien, Op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest Du Deinen Diener" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | G Minor | 1 | 6A | 78 BPM | ||
| Canzon seconda | Andrea Gabrieli, Jörg-Andreas Bötticher, Jean-Marc Aymes | A Minor | 0 | 8A | 75 BPM | ||
| Magi viderunt stellam | Amici Cantores | G Minor | 1 | 6A | 97 BPM | ||
| Salmi concertati, Op. 1: No. 18, Canzon seconda à 3 | Giovanni Rovetta, Ecco la musica | D Minor | 1 | 7A | 77 BPM | ||
| Obras de musica para tecla, arpa y vihuela: No. 79, Diferencias sobre "El Canto del Caballero" - Version for Consort of 4 Viols and Harp | Antonio de Cabezón, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 119 BPM | ||
| Missa sopra Ecco si beato giorno: Agnus Dei I | Alessandro Striggio, Le Concert Spirituel, Hervé Niquet | E Major | 0 | 12B | 57 BPM | ||
| De profundis clamavi ad te Domine (Psalm 130) | Andrea Gabrieli, Netherlands Chamber Choir, Huelgas Ensemble | F Major | 0 | 7B | 93 BPM | ||
| Lamentations Ieremiae Prophetae: Bonum est viro | Alonso Lobo, Tenebrae, Nigel Short | B Minor | 1 | 10A | 140 BPM | ||
| Suscepimus Deus (Graduale) | Andrea Gabrieli, Concentus Musicus Patavinus, Schola Gregoriana Scriptoria, Fabio Framba | F Major | 1 | 7B | 137 BPM | ||
| Madrigali Erotici E Spirituali: Quel Augellin Che Canta | Consort Of Musicke, Evelyn Tubb, Mary Nichols, Simon Grant, Joseph Cornwell, Emma Kirkby, Claudio Monteverdi, Gabriele Micheli, Andrew King | D Minor | 1 | 7A | 78 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| Madrigals, Book 1 (Il primo libro de madrigali 1587): Baci soavi e cari | Claudio Monteverdi, Consort Of Musicke, Anthony Rooley | F Minor | 0 | 4A | 75 BPM | ||
| Rore: Descendi in hortum meum - 2. Revertere, revertere, Sulamitis | Cipriano de Rore, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 94 BPM | ||
| O Rex gloriae, a 8 | Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings | E Minor | 2 | 9A | 93 BPM | ||
| Miserere mei Deus, C. 116: IV. Asperges me hyssopo | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | F Major | 2 | 7B | 73 BPM | ||
| O lux beata trinitas | Andrea Gabrieli, Ensemble Officium, Ensemble Gabinetto Armonico, Wilfried Rombach | B♭ Major | 1 | 6B | 93 BPM | ||
| Missa Quadragesimalis, MH 552: Dona nobis pacem | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Sonate concertate a due e tre voci, Book 1: No. 18, Sonata sopra "La novella" | Giuseppe Scarini, Ecco la musica | F♯ Major | 1 | 2B | 89 BPM | ||
| Josquin: Missa Gaudeamus - 04. Gloria in Excelsis Deo | The Tallis Scholars, Peter Phillips | A♭ Minor | 2 | 1A | 88 BPM |