"Life Radio Rag, Op. 31, for Cello and Piano" by Helmut Rogl, Martin Rummel, Christoph Eggner had its release date on April 1, 2010. This song is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The track order of this song in Helmut Rogl, Martin Rummel's "Helmut Rogl: Complete Cello Works so Far" album is number 9 out of 12. On top of that, Austria appears to be the country where this track was created. Based on our statistics, Life Radio Rag, Op. 31, for Cello and Piano's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Life Radio Rag, Op. 31, for Cello and Piano by Helmut Rogl, Martin Rummel, Christoph Eggner to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clearing, Dawn, Dance | Judd Greenstein, yMusic | E♭ Major | 1 | 5B | 90 BPM | ||
| Stav Ya Pitu (Arr. for String Quartet) | Israel Edelson | A Minor | 1 | 8A | 100 BPM | ||
| Hibernacle | Viviane Audet, Robin-Joël Cool, Alexis Martin | C Minor | 1 | 5A | 80 BPM | ||
| Nearer My God to Thee (From "Titanic" Soundtrack) | James Horner, Eileen Ivers | D Major | 0 | 10B | 90 BPM | ||
| Piazzolla / Arr. Carli: Concierto del Ángel: II. La muerte del Ángel | Die 12 Cellisten der Berliner Philharmoniker | G Minor | 1 | 6A | 129 BPM | ||
| Ravel: String Quartet, M. 35: III. Très lent | Maurice Ravel, Quatuor Ébène | B Major | 0 | 1B | 80 BPM | ||
| When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 83 BPM | ||
| Little Serenade | Peter Sculthorpe, Adelaide Symphony Orchestra, Ron Spigelman | F Major | 0 | 7B | 70 BPM | ||
| Windy Corner | Richard Robbins, Richard Robbins And Orchestra, Orchestra | F Major | 1 | 7B | 86 BPM | ||
| Feldeinsamkeit | Johannes Brahms, Fabio Di Casola | G Minor | 1 | 6A | 124 BPM | ||
| I. Cremona, The Red Violin | John Corigliano, Esa-Pekka Salonen, Joshua Bell, Philharmonia Orchestra | B Major | 1 | 1B | 93 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
| Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
| Funiculi Funicula | Five Sense | F Major | 2 | 7B | 138 BPM | ||
| Du bist die Ruh, Op. 59 No. 3, D. 776 (Arr. X. van Dijk for String Quartet) | Franz Schubert, Signum Quartet | G Major | 0 | 9B | 168 BPM | ||
| Cello Concerto in B-Flat Major, G. 482: II. Adagio non troppo (Arr. F. Grützmacher) | Luigi Boccherini, Ludovit Kanta, Capella Istropolitana, Peter Breiner | G Minor | 0 | 6A | 89 BPM | ||
| String Quartet in G Minor, Op. 10: IV. Très modéré - Très animé | Claude Debussy, Quatuor Ébène | A Major | 0 | 11B | 85 BPM | ||
| Pet Collector - From "The Good Dinosaur" Score | Mychael Danna, Jeff Danna | C Major | 0 | 8B | 121 BPM | ||
| Souls Don't Die | Michael Kamen | C Minor | 1 | 5A | 77 BPM | ||
| I. Prayer (Arr. C. Palmer) | Ernest Bloch, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy | F Minor | 0 | 4A | 103 BPM | ||
| Symphonic Miniatures, Op. 54: Präludium - Live | Helmut Rogl, Sinfonia Christkönig, Eduard Matscheko | G Major | 1 | 9B | 139 BPM | ||
| Breathturn, Pt. 1 | John Zorn, Mika Stoltzman, Richard Stoltzman, Fred Sherry | G Major | 1 | 9B | 66 BPM | ||
| Interlude (From "2046") | Brussells Philharmonic, Dirk Brossé | G Major | 0 | 9B | 71 BPM | ||
| Contact: III. Contact | Kevin Puts, Time For Three, Philadelphia Orchestra, Xian Zhang | G Major | 6 | 9B | 146 BPM | ||
| Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM |