Arctic Dreams: II. Throat Singing With Laughter by Michael Colgrass, North Texas Wind Symphony, Eugene Migliaro Corporon Song Details

Michael Colgrass, North Texas Wind Symphony, Eugene Migliaro Corporon's ' "Arctic Dreams: II. Throat Singing With Laughter" was released on its scheduled release date, January 1, 2011. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Arctic Dreams: II. Throat Singing With Laughter's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 22 in Composer's Collection: Michael Colgrass by Michael Colgrass, Eugene Migliaro Corporon. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Arctic Dreams: II. Throat Singing With Laughter's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

The tempo marking of Arctic Dreams: II. Throat Singing With Laughter by Michael Colgrass, North Texas Wind Symphony, Eugene Migliaro Corporon is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

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Popularity: 0%
Loudness: -15.152 dB
Acousticness: 96%
Danceability: 50%
Energy: 40%
Instrumentalness: 1%
Liveness: 14%
Loudness: 75%
Speechiness: 8%
Valence: 53%

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