- BPM
- 93
- Key
- A Minor
- Camelot
- 8A
Aria by Bernardo Pasquini, Rinaldo Alessandrini Song Details
Bernardo Pasquini, Rinaldo Alessandrini's ' "Aria" was released on its scheduled release date, April 1, 1991. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Pasquini: Sonate per gravicembalo". In this album, this song's track order is #14. In terms of popularity, Aria is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
With Aria by Bernardo Pasquini, Rinaldo Alessandrini having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
Music Key
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -17.433 dB
- Acousticness
- 82%
- Danceability
- 36%
- Energy
- 27%
- Instrumentalness
- 12%
- Liveness
- 27%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 42%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cuckoo Toccata | Bernardo Pasquini, Igor Kipnis | A Major | 3 | 11B | 143 BPM | |
 | Concerto grosso in F Major Op. 6, No. 6: III. Largo | Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Minor | 2 | 12A | 81 BPM | |
 | Overture in G Minor: VI. Aria | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | F♯ Minor | 1 | 11A | 140 BPM | |
 | Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | |
 | Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | |
 | Miserere in C Minor: Miserere mei, Deus (Chorus) | Johann Adolf Hasse, Mária Zádori, Kai Wessel, Wilfried Jochens, Stephan Schreckenberger, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | B Minor | 1 | 10A | 78 BPM | |
 | Concerto for 2 Flutes & Bassoon in G Major, TWV 53:G1: I. Vivace | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Stephanie Corwin, Indianapolis Baroque Orchestra | B♭ Minor | 1 | 3A | 103 BPM | |
 | Infirmata, vulnerata: I. Infirmata, vulnerata | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | |
 | L'Histoire de la femme adultère, C. 191: Simphonie | Louis-Nicolas Clérambault, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 0 | 4A | 117 BPM | |
 | Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | |
 | Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | |
 | Se regna in te pietà (Live) | Bernardo Pasquini, Rupert Charlesworth, Rocco Cavalluzzi, Innsbrucker Festwochenorchester, Alessandro De Marchi | G Major | 8 | 9B | 84 BPM | |
 | Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | |
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | |
 | Die mit Tränen säen, JLB 8: V. Dringt, ihr Qualen, auf mich her | Johann Ludwig Bach, Flore Van Meerssche, Capella Sollertia, Johanna Soller | E♭ Minor | 1 | 2A | 81 BPM | |
 | Concerto IX in A Major: I. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | |
 | Keyboard Concerto in G Minor, Wq. 6, H. 409: III. Allegro | Carl Philipp Emanuel Bach, Gerald Hambitzer, Concerto Köln | D Major | 0 | 10B | 96 BPM | |
 | Trio Sonata in A Minor, BuxWV 254: VI. Presto - VII. Lento | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | |
 | Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | |
 | Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | |
 | Magnificat, Wq. 215: Magnificat, Wq. 215: 6. Duett. Deposuit potentes de sede (A, T) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | B Major | 1 | 1B | 135 BPM | |
 | Laudate pueri in G Major, RV 601 "Salmo 112": I. Laudate, pueri (Allegro non molto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | D♭ Major | 2 | 3B | 92 BPM | |
 | San Giovanni Battista: Io per me non cangerei | Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán | G Minor | 1 | 6A | 92 BPM | |
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | |
 | Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records