Ralph Benatzky, Dorothea Neff, Paul Ohlmühl, Toni Niessner's ' "Axel an der Himmelstür: Dialog 6" was released on its scheduled release date, November 4, 2014. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 21 out of 48 in Benatzky: Axel an der Himmelstür by Ralph Benatzky, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Axel an der Himmelstür: Dialog 6 is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Axel an der Himmelstür: Dialog 6 by Ralph Benatzky, Dorothea Neff, Paul Ohlmühl, Toni Niessner is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trisch Trasch Polka | Wiener Symphoniker | A Major | 6 | 11B | 80 BPM | ||
| Act II, ii, 9 Grand pas Classique: Corps de Ballet (Minkus) | Ludwig Minkus, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | ||
| Im weissen Rossl (White Horse Inn), Act I: Arrival of Dampfers: Das ist der Zauber der Saison | Ralph Benatzky, Mathias Hausmann, Ingeborg Schöpf, Marco Jentzsch, Klaus-Dieter Lerche, Anja Katharina Wigger, Serge Falck, Ina Nadine Wagler, Albert Rueprecht, Rafael Schuchter, Gerhard Rak, Markus Puchberger, Harald Serafin, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | C Major | 2 | 8B | 78 BPM | ||
| Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
| Im weissen Rössl: "Eine Kuh, so wie du" - Dialog (Chor) | Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Die Nicolets | E♭ Major | 5 | 5B | 121 BPM | ||
| Ohne Bremse, Op. 238: Ohne Bremse, Polka schnell, Op. 238 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | D Major | 4 | 10B | 145 BPM | ||
| Die Landstreicher: Overture | Carl Michael Ziehrer, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 3 | 5B | 124 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Act I: Lied: Aus ist's mit der Liebe (Boni, 8 women) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | D Minor | 3 | 7A | 109 BPM | ||
| Petit Ballet | London Philharmonic Orchestra | G Major | 1 | 9B | 120 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Vorspiel | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
| L'Auberge du Cheval Blanc: Arrivee de Guy Flores | Ralph Benatzky, Geori Boue, Lucien Huberty, Choeur Rene Saint Paul, Orchestre Rene Saint Paul, Jésus Etcheverry | G Major | 3 | 9B | 96 BPM | ||
| Sphärenklänge Waltz, Op. 235 | Josef Strauss, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 171 BPM | ||
| Im weissen Rössl: "Was kann der Sigismund dafür" - Dialog (Sigismund, Chor) | Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Hans Richter, Die Nicolets | C Major | 2 | 8B | 133 BPM | ||
| Helden-Gedichte, Op. 87: Heldengedichte, Walzer, Op. 87 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Manfred Müssauer | E♭ Major | 1 | 5B | 96 BPM | ||
| Vienna Forever | Johann Schrammel, André Rieu | D Major | 2 | 10B | 108 BPM | ||
| Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM | ||
| Mein Liebeslied muss ein Walzer sein | Robert Stolz, André Rieu | C Major | 5 | 8B | 78 BPM | ||
| I Will Be There | Mako | F Major | 2 | 7B | 61 BPM | ||
| Im weissen Rössl: "Zahlen, bitte" - "Aber meine Herrschaften" (Leopold, Chor) | Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Willy Hofmann, Die Nicolets | C Major | 2 | 8B | 133 BPM | ||
| Les Voici! Voici La Quadrille (Carmen) | Georges Bizet, Choir and Orchestra of the Budapest State Opera | F Major | 1 | 7B | 77 BPM | ||
| Die lustigen Dorfschmiede, Op. 218: Die lustigen Dorfschmiede, Op. 218 | Julius Fučík, Neeme Järvi, Royal Scottish National Orchestra | C Major | 2 | 8B | 126 BPM | ||
| Bellini: I puritani: Introduzione (Orchestra) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| The Gold and Silver Waltz | The Manhattan Pops | C Major | 3 | 8B | 95 BPM | ||
| Tritsch Tratsch Polka, Op. 214 | Johann Strauss, Bonn Classic Ensemble | B Major | 3 | 1B | 83 BPM | ||
| Da geh ich zu Maxim | Rudolf Schock | D Major | 3 | 10B | 77 BPM |