George Frideric Handel, Gwynne Howell, Academy of St. Martin in the Fields, Sir Neville Marriner's 'Messiah / Part 2: "Thou art gone up on high"' had a release date set for January 1, 1976. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields's "Handel: Messiah" album is number 9 out of 37. Messiah / Part 2: "Thou art gone up on high" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah / Part 2: "Thou art gone up on high" by George Frideric Handel, Gwynne Howell, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coventry Carol | Anonymous, Jessye Norman, New York Choral Society, The American Boychoir, Empire Chamber Ensemble, Robert de Cormier | D Minor | 1 | 7A | 171 BPM | ||
| Bach, JS: Herz und Mund und Tat und Leben, BWV 147: Aria. "Hilf, Jesu, hilf, daß ich auch dich bekenne" | Johann Sebastian Bach, Sir David Willcocks, Ian Partridge, Academy of St. Martin in the Fields | F Major | 1 | 7B | 126 BPM | ||
| Brandenburg Concerto No. 2 in F Major, BWV 1047: I. [Allegro] | Johann Sebastian Bach, Adolf Scherbaum, Karlheinz Zoeller, Lothar Koch, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | F Major | 4 | 7B | 89 BPM | ||
| Apollo e Dafne, HWV 122: V. Felicissima quest’alma | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
| Charpentier: Messe de minuit pour Noël, H. 9: III. Kyrie eleison | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | C Minor | 2 | 5A | 89 BPM | ||
| Trad / Arr Pasatieri : "Go, tell it on the mountain" | Traditional, Thomas Hampson, Hugh Wolff, Saint Paul Chamber Orchestra | G Major | 2 | 9B | 140 BPM | ||
| Gabriel's Message | Anonymous, Choir of Clare College, Cambridge, Orchestra of Clare College, Cambridge, John Rutter | B♭ Minor | 1 | 3A | 75 BPM | ||
| Messiah: Part 1, Thus saith the Lord of Hosts (Accompagnato, Bass) | The Sixteen | D♭ Minor | 4 | 12A | 102 BPM | ||
| O Come, All Ye faithful | Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 95 BPM | ||
| Magnificat (Formerly Attrib. Pergolesi): Magnificat | Francesco Durante, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 172 BPM | ||
| Oratorio de Noël, Op. 12: Recitative and Chorus. Et Pastores erant - Gloria (Chorus) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann | D Major | 1 | 10B | 77 BPM | ||
| Overture | London Philharmonic Orchestra | E Minor | 3 | 9A | 84 BPM | ||
| Messiah HWV56, PART 1: O thou that tellest (alto air: Andante) | George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Alice Coote | D♭ Major | 1 | 3B | 87 BPM | ||
| Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live | Wolfgang Amadeus Mozart, Arleen Auger, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus | C Minor | 1 | 5A | 83 BPM | ||
| Messiah / Part 2: "All they that see him...He trusted in God" | George Frideric Handel, Philip Langridge, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 124 BPM | ||
| Messiah, HWV 56 / Pt. 3: XLIII. "I Know That My Redeemer Liveth" | George Frideric Handel, Arleen Auger, The English Concert, Trevor Pinnock | D Major | 2 | 10B | 76 BPM | ||
| Messe de Minuit, H. 9: Christe | Marc-Antoine Charpentier, Eric Huchet, Patrick Henckens, Russell Smythe, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre | C Minor | 1 | 5A | 97 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": III. Adagio - Allegro - Adagio | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | E♭ Major | 0 | 5B | 122 BPM | ||
| L'enfance du Christ, Op. 25, H 130: Part II, La Fuite en Égypte, L'adieu Des Bergers a la Sainte Famille (The Shepherds' Farewell) | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Tenebrae | E Major | 0 | 12B | 86 BPM | ||
| Christmas Oratorio, BWV 248: Part I, 8. Arie "Großer Herr und starker König" | Johann Sebastian Bach, Akademie für Alte Musik Berlin, Klaus Hager, RIAS Kammerchor, René Jacobs | E♭ Major | 0 | 5B | 85 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": II. Allegro | Arcangelo Corelli, The English Concert, Trevor Pinnock | F♯ Minor | 2 | 11A | 87 BPM | ||
| Oratorio de Noël, Op. 12: Air. Domine, ego credidi (Tenor, Chorus) | Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders Eby | D Major | 0 | 10B | 128 BPM | ||
| Ding Dong! Merrily on High | Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 2 | 6B | 99 BPM | ||
| Ave Maria, CG 89a | Charles Gounod, David Parry, London Philharmonic Orchestra, London Philharmonic Choir | G Major | 2 | 9B | 89 BPM | ||
| Concerto grosso in F Minor, Op. 1 No. 8 "Christmas Concerto": V. Largo andante | Pietro Locatelli, Thomas Brandis, Emil Maas, Dietrich Gerhardt, Hans Priem, Ottomar Borwitzky, Wolfgang Meyer, Waldemar Döling, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 2 | 3A | 60 BPM |