"Father Vivaldi Introduces The Four Seasons" by Ann Rachlin had its release date on 1986. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Seasons' Greetings From Vivaldi". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Father Vivaldi Introduces The Four Seasons is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Father Vivaldi Introduces The Four Seasons by Ann Rachlin having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aida: Ballet Music | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | F Major | 3 | 7B | 123 BPM | ||
| Raymonda, Act III: Grand Pas de Deux, Entree | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 3 | 10B | 84 BPM | ||
| Norwegian Folk Songs and Dances, Op. 17: Stumping Dance | Edvard Grieg, Michala Petri, Gordon Langford, English Chamber Orchestra | C Major | 2 | 8B | 128 BPM | ||
| Nocturne: Captain And Elsa | Irwin Kostal | B♭ Major | 3 | 6B | 101 BPM | ||
| The Duke of Plaza Toro | Olive the Otter Dog | B♭ Major | 4 | 6B | 96 BPM | ||
| HMS Pinafore (or, The Lass that Loved a Sailor), Act I: Entr'acte | Arthur Sullivan, Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 1 | 9B | 63 BPM | ||
| Etudes: IV. Adagio | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A♭ Major | 0 | 4B | 78 BPM | ||
| Which Prince Will It Be? | Ann Rachlin | B♭ Major | 2 | 6B | 132 BPM | ||
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
| Cefeidas : 2. El Pensamiento crítico | Juan Pablo Fernández Ramos | D Minor | 2 | 7A | 119 BPM | ||
| Norwegian Folk Songs, Op. 66: Little Astrid | Edvard Grieg, Michala Petri, Gordon Langford, English Chamber Orchestra | A Major | 2 | 11B | 107 BPM | ||
| Suite for Variety Orchestra: III. Dance No. 2 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Harnasie, Op.55 (Ballet pantomime in two tableaux), Obraz I: Na hali - Tableau I: In the mountain pasture: III. Marsz zbójnicki - The tatra robbers' march | Karol Szymanowski, Sir Simon Rattle/City of Birmingham Orchestra/City of Birmingham Symphony Chorus/Simon Halsey/Iwona Sobotka/Timothy Robinson/Katarina Karnéus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, City of Birmingham Orchestra | G Major | 5 | 9B | 66 BPM | ||
| Peter and the Wolf, Op. 67: XII. The Hunters Arrive | Wiener Opernorchester | A♭ Major | 1 | 4B | 99 BPM | ||
| Les patineurs (Arr. C. Lambert): Pas de deux. Cantabile | Giacomo Meyerbeer, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 0 | 8B | 81 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | C Major | 0 | 8B | 76 BPM | ||
| Bibbidi Bobbidi Boo (Cinderella) | London Pops Orchestra, Nelson Corbin | F Major | 3 | 7B | 111 BPM | ||
| Elgar: 3 Characteristic Pieces, Op. 10: No. 1, Mazurka | Edward Elgar, Northern Sinfonia Orchestra, Sir Neville Marriner | D Minor | 2 | 7A | 119 BPM | ||
| Copland: Suite from Appalachian Spring: I. Very Slowly (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
| Etudes: II. Ronds de jambe | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Major | 1 | 9B | 182 BPM | ||
| Folge 7 - Eiskalt in der Geisterbahn - Teil 20 | Die Alte und der Kommissar | G Major | 5 | 9B | 140 BPM | ||
| Sylvia: Act I: Cortege rustique | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 93 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: Finale (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 4 | 6B | 79 BPM | ||
| Fountain Of The Villa Medici - Sunset | Ann Rachlin | E Major | 1 | 12B | 79 BPM | ||
| The Bluebottle Bothers Mandy | Ann Rachlin | G Minor | 1 | 6A | 82 BPM |