Ben Moore, Michelle Murray Fiertek, Michael Korman's 'I Believe' had a release date set for April 6, 2020. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. I Believe's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 18 in Every Tiny Thing by Michelle Murray Fiertek, Michael Korman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. I Believe is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I Believe by Ben Moore, Michelle Murray Fiertek, Michael Korman is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sleep | Ian Bostridge, Julius Drake | B♭ Minor | 0 | 3A | 99 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Der Teig ist gar, wir können voranmachen" [The Nibblewitch] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | B Major | 1 | 1B | 76 BPM | ||
| Ravel: 5 Mélodies populaires grecques, M. A 5: No. 4, Chanson des cueilleuses de lentisques | Maurice Ravel, Sabine Devieilhe, Alexandre Tharaud | A Major | 0 | 11B | 71 BPM | ||
| Candide, Act I (Remastered): Oh, Happy We - 2017 Remastered Version | Leonard Bernstein, Robert Rounseville, Barbara Cook, Candide Orchestra, Samuel Krachmalnick | G Major | 2 | 9B | 130 BPM | ||
| Spanisches Liederspiel, Op. 74: IV. In der Nacht | Robert Schumann, Marlis Petersen, Werner Güra, Anke Vondung, Christoph Berner | D Minor | 1 | 7A | 97 BPM | ||
| Mornin' Train | Ben Moore | F Minor | 8 | 4A | 160 BPM | ||
| Jolivet : Poèmes intimes : I Amour | André Jolivet, Alain Lombard, Orchestre Philharmonique De Strasbourg | E Major | 1 | 12B | 74 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | ||
| Suor Angelica: Suor Angelica! Madre, Madre, parlate! | Giacomo Puccini, Anne Collins, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 4 | 10B | 80 BPM | ||
| ミ・マンキ | Berlincioni Fabrizio, Kohei Yamamoto | D♭ Minor | 1 | 12A | 87 BPM | ||
| Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
| Jacob's Ladder, Oratorio for solo voices, choruses and orchestra: Herr, mein ganzes Leben lang (Der Sterbende) | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko, Nicola Beller Carbone | D♭ Minor | 1 | 12A | 87 BPM | ||
| Porter: Seven Lively Arts: "Drink" | Cole Porter, Thomas Hampson, Ambrosian Chorus, London Symphony Orchestra, John McGlinn | C Major | 4 | 8B | 142 BPM | ||
| Candide / Act I: 8. Dear Boy | Leonard Bernstein, Adolph Green, London Symphony Orchestra, London Symphony Chorus | F Major | 1 | 7B | 133 BPM | ||
| Trois mélodies, Op. 8: No. 3, Ici-bas! | Dilyana Georgieva, Galina Apostolova | C Minor | 3 | 5A | 168 BPM | ||
| Poulenc: Le bestiaire, ou le cortège d’Orphée, FP 15: No. 6, La carpe (Chamber Version) | Francis Poulenc, Georges Prêtre, Maryse Charpentier, Orchestre De La Société Des Concerts Du Conservatoire | D♭ Major | 0 | 3B | 141 BPM | ||
| Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
| V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: IVb-d. I Can No More – Rescue Him, O Lord – Novissima hora est | Edward Elgar, David Butt Philip, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | D♭ Minor | 1 | 12A | 87 BPM | ||
| Duparc: Extase | Henri Duparc, Elsa Dreisig | A♭ Major | 0 | 4B | 129 BPM | ||
| Porgy And Bess: I Got Plenty o' Nuttin' | George Gershwin, Donnie Ray Albert, Wilma Shakesnider, Carol Brice, Houston Grand Opera Ensemble, Houston Grand Opera Orchestra, John DeMain, Houston Grand Opera | D Major | 2 | 10B | 163 BPM | ||
| 6 songs, Op. 36: No. 1, Svarta rosor | Jean Sibelius, Kari Lövaas, Erik Werba | D♭ Minor | 1 | 12A | 87 BPM | ||
| Cantate Nuptiale, Op. 168: "Qu'il me donne un baiser" | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | G Minor | 2 | 6A | 84 BPM | ||
| Stanford: Songs of Old Ireland: No. 30, Irish Lullaby (Orch. Gamley) | Charles Villiers Stanford, Victoria de los Ángeles, Sinfonia Of London, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 106 BPM | ||
| Trees | Oscar Rasbach, Bryn Terfel, Czech Philharmonic, Paul Bateman | F Major | 1 | 7B | 83 BPM |