"THE BLACK LIMBO PT2" by Mario Conte had its release date on January 20, 2025. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "The Opera! Arias For An Eclipse (Original Motion Picture Soundtrack)". In this album, this song's track order is #29. Furthermore, we believe that the track originated from Italy. In terms of popularity, THE BLACK LIMBO PT2 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With THE BLACK LIMBO PT2 by Mario Conte having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Musetta's Waltz | George Carlaw | A Major | 2 | 11B | 96 BPM | ||
| Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
| Giordano: Andrea Chénier, Act I: "O pastorelle, addio!" | Umberto Giordano, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | A Major | 0 | 11B | 137 BPM | ||
| Sin Noticias De Tu Interior | Sirenas Celestiales | G Major | 3 | 9B | 141 BPM | ||
| Mandoline, L. 29 | Dilyana Georgieva, Galina Apostolova | A♭ Major | 0 | 4B | 92 BPM | ||
| Ave Maria - Caccini | Hannah Holgersson | B♭ Minor | 1 | 3A | 94 BPM | ||
| Le nozze di Figaro, K. 492: Deh vieni, non tardar | Wolfgang Amadeus Mozart, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy | F Major | 0 | 7B | 88 BPM | ||
| In cattività | EPO, Ciro Tuzzi, Mario Conte, Giuseppe Innaro | C Major | 4 | 8B | 136 BPM | ||
| Candide, Act I: Glitter and Be Gay | Leonard Bernstein, Simone Kermes, Warsaw Chamber Opera Orchestra, Julien Salemkour | C Major | 1 | 8B | 81 BPM | ||
| L'AMOUR EST UN OISEAU REBELLE, CARMEN - INSTRUMENTAL VERSION | Mario Conte | D♭ Minor | 2 | 12A | 108 BPM | ||
| L'Euridice, Scene 6: Gioite al canto mio (Arr. Pluhar) | Jacopo Peri, Rolando Villazón, L'Arpeggiata, Christina Pluhar | G Major | 4 | 9B | 141 BPM | ||
| Le nozze di Figaro, K.492, Act III: Duettino. "Canzonetta sull aria" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
| Divine Gregorian Opera 1870 | Rick Oli | C Major | 4 | 8B | 153 BPM | ||
| Barbieri: El barberillo de Lavapiés: "Canción de Paloma" | Lisette Oropesa | A Major | 2 | 11B | 142 BPM | ||
| Suor Angelica: Ah, son dannata! | Giacomo Puccini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
| La Sonnambula / Act 2: Ah! non giunge uman pensiero | Vincenzo Bellini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 1 | 10B | 100 BPM | ||
| Je te veux | Julie Fuchs | C Major | 2 | 8B | 162 BPM | ||
| Carmen, Act III: Carreau! Pique!... La mort! | Georges Bizet, Aigul Akhmetshina, Elisabeth Boudreault, Kezia Bienek, Royal Philharmonic Orchestra, Daniele Rustioni | F Major | 1 | 7B | 94 BPM | ||
| Beau soir, L. 6 | Dilyana Georgieva, Galina Apostolova | F♯ Minor | 2 | 11A | 142 BPM | ||
| Paysage sentimental | Dilyana Georgieva, Galina Apostolova | A♭ Major | 0 | 4B | 92 BPM | ||
| Handel: Serse, HWV 40, Act 1: Arioso. "Ombra mai fù" (Serse) | George Frideric Handel, Les Arts Florissants, William Christie, Anne Sofie von Otter | E Major | 1 | 12B | 89 BPM | ||
| Venezia | Mark Padmore | G Minor | 1 | 6A | 116 BPM | ||
| Pezzo commerciale estivo | EPO, Ciro Tuzzi, Mario Conte, Giuseppe Innaro | B Minor | 7 | 10A | 95 BPM | ||
| Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 2 | 7B | 78 BPM | ||
| Qui la voce sua soave | Maria Callas | D♭ Major | 2 | 3B | 126 BPM |