- BPM
- 70
- Key
- C Major
- Camelot
- 8B
Charles Ives (1874-1954): The Unanswered Question (Late Version) by Charles Ives, John Adams, Orchestra of St. Luke's Song Details
"Charles Ives (1874-1954): The Unanswered Question (Late Version)" by Charles Ives, John Adams, Orchestra of St. Luke's had its release date on 1990. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 10 in American Elegies by John Adams. Charles Ives (1874-1954): The Unanswered Question (Late Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Charles Ives (1874-1954): The Unanswered Question (Late Version) by Charles Ives, John Adams, Orchestra of St. Luke's is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -36.929 dB
- Acousticness
- 72%
- Danceability
- 20%
- Energy
- 1%
- Instrumentalness
- 49%
- Liveness
- 21%
- Loudness
- 38%
- Speechiness
- 3%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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![Symphony in 3 Movements, K73: I. [Allegro]. Crotchet = 160 by Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez](https://i.scdn.co/image/ab67616d00001e0282434076bdfa956495520c6d) | Symphony in 3 Movements, K73: I. [Allegro]. Crotchet = 160 | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 84 BPM | |
 | Symphony No. 8: III. Volante | Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze | F Minor | 0 | 4A | 70 BPM | |
 | Three Pieces in Olden Style (for Strings) | Henryk Górecki, Royal Philharmonic Orchestra, Yuri Simonov | A Minor | 0 | 8A | 55 BPM | |
 | 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | |
 | Romeo and Juliet, Op. 64, Act IV: No. 52, Death of Juliet | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | F Minor | 0 | 4A | 70 BPM | |
 | Ligeti : Romanian Concerto : I Andantino | György Ligeti, Jonathan Nott, Berliner Philharmoniker | C Major | 0 | 8B | 91 BPM | |
 | Five Movements for String Quartet, Op. 5: IV. Sehr langsam | Anton Webern, Leonkoro Quartet | F Minor | 0 | 4A | 70 BPM | |
 | Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 103 BPM | |
 | Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | |
 | Four Transcriptions from Emerson: No. 3 | Charles Ives | B Major | 3 | 1B | 77 BPM | |
 | Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | |
 | Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | |
 | Bartók: Piano Concerto No. 3 in E Major, Sz. 119: I. Allegretto | Béla Bartók, András Schiff, Iván Fischer, Budapest Festival Orchestra | B Major | 2 | 1B | 155 BPM | |
 | Symphony No. 1, Op. 9: III. Andante tranquillo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Major | 3 | 6B | 93 BPM | |
 | Sérénité Nocturne | Etoilee | E Major | 3 | 12B | 178 BPM | |
 | Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | F Minor | 0 | 4A | 70 BPM | |
 | 4 Orchestral Pieces, Sz. 51: IV. Marcia funebre. Maestoso | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | |
 | V. Louange à l'Éternité de Jésus | Olivier Messiaen, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | |
 | King Kristian II, Op. 27: III. Musette | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Minor | 3 | 8A | 70 BPM | |
 | Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | D Major | 0 | 10B | 77 BPM | |
 | Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | |
| Symphony of Psalms, K52: II. Expectans expectavi Dominum (Psalm 40) | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B♭ Minor | 0 | 3A | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records