"Bassoon Concerto: II. II." by Christopher Rouse, Albany Symphony Orchestra, Peter Kolkay, David Alan Miller had its release date on June 21, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 10 in Christopher Rouse: Concertos by Christopher Rouse, Katherine Needleman, Peter Kolkay, Eric Berlin, David Alan Miller, Albany Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Bassoon Concerto: II. II. is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bassoon Concerto: II. II. by Christopher Rouse, Albany Symphony Orchestra, Peter Kolkay, David Alan Miller is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grand Canyon Suite: 2. The Painted Desert | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | B Minor | 0 | 10A | 129 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 10, The Young Juliet | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 0 | 8B | 86 BPM | ||
| The Firebird, KC 10: IX. Second tableau - Disparition du palais et des sortilèges de Kachtcheï, animation des chevaliers pétrifiés | Igor Stravinsky, London Symphony Orchestra, Valery Gergiev | B Major | 3 | 1B | 90 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Stravinsky: Petrouchka, Tableau I "La foire du Mardi-Gras": Introduction - Fête populaire de la semaine grasse (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | D Major | 9 | 10B | 142 BPM | ||
| Der gerettete Alberich: III. — | Christopher Rouse, Evelyn Glennie, Helsinki Philharmonic Orchestra, Leif Segerstam | F Minor | 8 | 4A | 77 BPM | ||
| 3 Pieces in Old Style: No. 3, Menuetto II | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | D Minor | 0 | 7A | 169 BPM | ||
| Symphony No. 3 (After Prokofiev): IV. Var. 2 | Christopher Rouse, New York Philharmonic, Alan Gilbert | B Major | 3 | 1B | 127 BPM | ||
| Clarinet Concerto: II. Rather fast - Coda (Final Version) | Aaron Copland, Martin Fröst, Lucy Reeves, Benjamin Martin, Australian Chamber Orchestra, Richard Tognetti | C Major | 2 | 8B | 108 BPM | ||
| Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | ||
| Flute Concerto: II. Alla marcia | Christopher Rouse, Sharon Bezaly, Royal Stockholm Philharmonic Orchestra, Alan Gilbert | E♭ Minor | 2 | 2A | 167 BPM | ||
| IV. Intelude | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Major | 0 | 2B | 62 BPM | ||
| Flute Concerto: III. Elegia | Christopher Rouse, Robert Langevin, Leonard Slatkin, New York Philharmonic | B Minor | 0 | 10A | 82 BPM | ||
| Altar de Viento: IV. Tornado | Gabriela Ortiz, Orquesta Sinfónica de Heredia, Alejandro Escuer, Eddie Mora | C Minor | 3 | 5A | 132 BPM | ||
| Piano Trio: II. Tempo di marcia | Leonard Bernstein, Charles Bernard, Opus Two | C Major | 1 | 8B | 78 BPM | ||
| Concerto for 2 Pianos and Orchestra: III. Fuga chromatica - Allegro | Ralph Vaughan Williams, Tal & Groethuysen, Douglas Boyd | D Minor | 3 | 7A | 77 BPM | ||
| Escenas | Gabriel Bouche Caro, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - The Sacrifice. Introduction. Largo (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | D Minor | 0 | 7A | 60 BPM | ||
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
| Estampes: No. 1. Pagodes (arr. A. Caplet): Pagodes | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 1 | 12A | 95 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (1) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 78 BPM | ||
| The Planets, Op. 32: V. Saturn, the Bringer of Old Age | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 63 BPM | ||
| Jūra, MKČ 102: V. Recapitulation | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Venus, the Bringer of Peace (From The Planets, Op. 32) - Arr. For Trombone & Organ | Gustav Holst, Peter Steiner, Constanze Hochwartner | C Major | 1 | 8B | 89 BPM | ||
| 2 Pieces for Small Orchestra: No. 2, Summer Night on the River | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM |