Morton Gould's ' "Fall River Legend: Cotillion" was released on its scheduled release date, May 11, 1993. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 19 in Composers Conduct Appalachian Spring; The Tender Land: Suite; Fall River Legend by Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Fall River Legend: Cotillion is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Fall River Legend: Cotillion by Morton Gould is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Derivations for Clarinet and Band: III. Rag | Morton Gould, Benny Goodman, Columbia Jazz Combo | A♭ Major | 1 | 4B | 161 BPM | ||
| Ma mère l'oye, M. 62: IV. Conversations of Beauty and the Beast & Interlude (Orchestral Version, Ballet) | Maurice Ravel, Prague Festival Orchestra, Pavel Urbanek | C Major | 1 | 8B | 65 BPM | ||
| Sketch of a Daddy | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | F Major | 1 | 7B | 115 BPM | ||
| The Moon | William Lloyd Webber, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | ||
| English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | ||
| Symphony No. 1, Op. 9: I. Allegro ma non troppo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | D♭ Major | 0 | 3B | 106 BPM | ||
| Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
| Ma mère l'oye, M. 60 (Version for Orchestra): II. Petit poucet | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | C Minor | 1 | 5A | 79 BPM | ||
| Molly on the Shore, BFMS 23 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | C Major | 2 | 8B | 125 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| I Never Know When To Say When | Leroy Anderson | C Minor | 3 | 5A | 94 BPM | ||
| Symphony No. 2, Op. 30 "Romantic": I. Adagio - Allegro moderato | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 129 BPM | ||
| Wood Notes: II. Autumn Night: Lightly | William Grant Still, Fort Smith Symphony, John Jeter | D Minor | 0 | 7A | 65 BPM | ||
| The Birds, P. 154: IV. The Nightingale | Ottorino Respighi, Louis Lane, Atlanta Symphony Orchestra | D Major | 1 | 10B | 91 BPM | ||
| The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | E Minor | 0 | 9A | 78 BPM | ||
| The Westminster Waltz | Robert Farnon, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 62 BPM | ||
| The Red Sombrero | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | G Major | 2 | 9B | 111 BPM | ||
| Carmen for Orchestra: Tambourine Song | Georges Bizet, Morton Gould, Morton Gould Orchestra | F♯ Major | 4 | 2B | 113 BPM | ||
| Hora Staccato | Grigori Dinicu, Jascha Heifetz, Morton Gould, Morton Gould & His Orchestra | E♭ Major | 2 | 5B | 132 BPM | ||
| New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | ||
| First Suite of English Folk Dances: No. 3 Dick's Maggot | Ernest Tomlinson, Slovak Radio Symphony Orchestra | B♭ Major | 0 | 6B | 183 BPM | ||
| A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 80 BPM | ||
| Symphony No. 3, "Pastoral Symphony": IV. Lento - Moderato maestoso | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Major | 2 | 9B | 169 BPM | ||
| Mississippi, "A Journey in Tones": III Old Creole Days | Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg | A♭ Major | 0 | 4B | 98 BPM | ||
| Carmen for Orchestra: Toreador Song | Georges Bizet, Morton Gould | G Minor | 0 | 6A | 124 BPM |