"Das Rheingold / Vierte Szene: Entry Of The Gods Into Valhalla" by Richard Wagner, Wiener Philharmoniker, Sir Georg Solti had its release date on January 1, 1983. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Der Ring des Nibelungen (orchestral excerpts) by Richard Wagner, Wiener Philharmoniker, Sir Georg Solti. The song's track number on the album is #2 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Das Rheingold / Vierte Szene: Entry Of The Gods Into Valhalla is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Rheingold / Vierte Szene: Entry Of The Gods Into Valhalla by Richard Wagner, Wiener Philharmoniker, Sir Georg Solti has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Das Rheingold / Vierte Szene: Entry Of The Gods Into Valhalla being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La traviata / Act 3: Prelude | Giuseppe Verdi, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 0 | 4B | 96 BPM | ||
| Suite No. 2, P. 138: III. Campanae Parisiennses - Aria: Andante Mosso | Ottorino Respighi, RTÉ National Symphony Orchestra | C Major | 0 | 8B | 76 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Infernal Dance Of King Kaschei | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | A Minor | 3 | 8A | 162 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
| Enescu: 2 Romanian Rhapsodies, Op. 11: No. 1 in A Major | George Enescu, Sir Charles Mackerras, Philharmonia Orchestra | D Major | 3 | 10B | 89 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
| Gayaneh: Gayaneh's Adagio | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 0 | 4B | 82 BPM | ||
| Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | ||
| Symphony No.2 in C minor - "Resurrection" / 5th Movement: Wieder zurückhaltend | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | F♯ Major | 1 | 2B | 132 BPM | ||
| Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
| 3 Chorales, P. 167: No. 1, Lento assai (After J.S. Bach's BWV 659) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | C Major | 0 | 8B | 65 BPM | ||
| Symphony No. 2 in A Major: I. Moderato | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Major | 3 | 11B | 112 BPM | ||
| Kopenhagener Eisenbahn-Dampf-Galopp | Hans Christian Lumbye, Wiener Philharmoniker, Yannick Nézet-Séguin | D Major | 3 | 10B | 89 BPM | ||
| Parsifal / Act 3: Karfreitagszauber | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | A Minor | 2 | 8A | 80 BPM | ||
| Macbeth: Overture (Preludio) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 1 | 3B | 81 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
| Götterdämmerung, WWV 86D, Act III: Vorspiel | Richard Wagner, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 0 | 8B | 105 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 4 in F Minor. Poco sostenuto (Orch. Juon in F-Sharp Minor) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World", IV. Allegro con fuoco | Antonín Dvořák, Gustavo Dudamel, Wiener Philharmoniker | E Minor | 2 | 9A | 133 BPM | ||
| Overture 1812, Op. 49: Overture 1812 - Finale | Pyotr Ilyich Tchaikovsky, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 4 | 5B | 90 BPM | ||
| The Planets, Op. 32: 1. Mars, The Bringer Of War | Gustav Holst, Chicago Symphony Orchestra, James Levine | A♭ Major | 4 | 4B | 95 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Sir Georg Solti | D Major | 4 | 10B | 103 BPM | ||
| Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
| Ruslan and Lyudmila: Overture | Mikhail Glinka, London Symphony Orchestra, Sir Georg Solti | D Major | 3 | 10B | 83 BPM | ||
| Karelia Suite, Op. 11: II. Ballade (Tempo di menuetto) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 87 BPM |